Victoria (or Nike) on a fresco from Pompeii, Neronian era

In ancient Roman religion Victoria was the deified personification of victory. She first appears during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia. Thereafter she comes to symbolise Rome's eventual hegemony and right to rule. She is a deified abstraction, entitled to cult but unlike Nike, she has virtually no mythology of her own.

History and iconography

Victoria first appears during the first Punic War, as a translation or renaming of Nike, the Greek goddess of victory in peace or war. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic Wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet victor (conqueror) or invictus (unconquered).[1] By the late republican and early imperial eras, Victoria had become a popular civilian and military goddess, both in association with other deities and in her own right. In 294 BC she was given a temple on the Palatine Hill. It was used to store war-booty, and it hosted the Magna Mater's statue while her own temple was under construction. Victoria had several other shrines throughout Rome. In Imperial era Timgad, victoria victrix (conquering victory) was given credit for Imperial successes.[2]

Victoria's coin images and cult images are probably based on an original cult image used in her temple. Her cult images show her in the attitude of a winged woman who steps forwards, supported on a globe, and holds aloft (or offers) a wreath or a palm-branch, not symbols of war but of triumph, and a peace that was consequent to victory. Other images show her as human-sized, driving a triumphal war-chariot, or in free-standing statuary, standing on the right-hand palm of a much larger figure, typically Rome's supreme god, Jupiter, or war-god Mars, or Roma, divine personification of the Roman state.[3][4]

The goddess Vica Pota is sometimes identified with Victoria, but is almost certainly too ancient for her iconography to have been influenced by Greek Nike, so is treated as a separate deity. Victoria is one of many Roman deities associated with the Sabine goddess Vacuna.

Arch of Trajan (Benevento), with a pair of winged victories in the spandrels

With the ascendancy of Christianity, Rome's religious affairs and institutions remained under the authority of the ruling emperor as pontifex maximus, whether he was Christian or pagan. On the whole, Senates still respected, or at least allowed the performance of pagan sacrificial rites deemed essential to Rome's well-being, including the sacrifice to Victoria at her Senate-house altar before every meeting. This had been an essential procedure ever since the altar had been given by Octavian, in 29 BC.[5] In 379 the Christian emperor Gratian refused the post of pontifex maximus, and abolished state support of Rome's traditional deities and rites. In 382 he had Victoria's altar removed from her temple at the Curia Julia. They had been removed before, by Constantius II, and had been returned after protest. This time, despite widespread anger and anxietie, shared by officials at the highest level, they were not restored. [6][7][8]

"Winged Victories"

Winged figures, very often in pairs, representing victory and referred to as winged victories, are common in Roman official iconography, typically hovering high in a composition, and often filling spaces in spandrels or other gaps in architecture.[9] These represent the "spirit of victory" rather than a full-blown deity. Pairs of winged victories continued to appear after the Christianization of the Roman Empire and gradually evolved into depictions of Christian angels.[10] A pair, facing inwards, fitted very conveniently into the spandrels of arches, and have been very common in Triumphal arches and similar designs where a circular element is framed by a rectangle.

See also

References

  1. ↑ Beard, M., North, J., Price, S., Religions of Rome, Volume I, illustrated, reprint, Cambridge University Press, 1998, pp.69.ISBN 0-521-31682-0
  2. ↑ Beard, M., North, J., Price, S., Religions of Rome, Volume I, illustrated, reprint, Cambridge University Press, 1998, pp.69, 323. ISBN 0-521-31682-0
  3. ↑ Hölscher, Tonio (1967). Victoria Romana: Archäologische Untersuchungen zur Geschichte und Wesensart der römischen Siegesgöttin von den Anfängen bis zum Ende des 3. Jhs. n. Chr (in German). Mainz.{{cite book}}: CS1 maint: location missing publisher (link)
  4. ↑ Hill, Philip V. “ASPECTS OF JUPITER ON COINS OF THE ROME MINT, A.D. 65-318.” The Numismatic Chronicle and Journal of the Royal Numismatic Society 20 (1960): 115–125. http://www.jstor.org/stable/42662717. accessed December 23, 2020
  5. ↑ Bellinger & Berlincourt (1962). "Victory as a Coin Type". American Numismatic Society. 149: 1–68.
  6. ↑ Sheridan, J. J., "The Altar of Victory – Paganism's Last Battle." L'Antiquite Classique 35 (1966): 187.
  7. ↑ Ambrose Epistles 17–18; Symmachus Relationes 1–3.
  8. ↑ Beard, M., North, J., Price, S., Religions of Rome, Volume I, illustrated, reprint, Cambridge University Press, 1998, pp.372-374. ISBN 0-521-31682-0
  9. ↑ "Winged Victoria Spandrels". google.com. Retrieved 5 August 2015.
  10. ↑ Doyle, Chris (2015). 'Declaring Victory, Concealing Defeat: Continuity and Change in Imperial Coinage of the Roman West, c. 383 – c. 408', in G. Greatrex, H. Elton (eds.) Shifting Genres in Late Antiquity. With the assistance of Lucas McMahon. Pp. xvi + 341, ills. Farnham, United Kingdom: Ashgate. pp. 157–71. ISBN 978-1-4724-4348-9.
  11. ↑ "Oscar Gladenbeck (1850–1921)". ISSUU.com. Retrieved 18 June 2015.
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