The Way of the World
A black and white facsimile of the front cover of the original 1700 edition of the play
Facsimile of the original title page for The Way of the World published in 1700
Written byWilliam Congreve
Date premiered1700
Place premieredLincoln's Inn Fields
GenreRestoration comedy
SettingLondon

The Way of the World is a play written by the English playwright William Congreve . It premiered in early March 1700 in the theatre in Lincoln's Inn Fields in London. It is widely regarded as one of the best Restoration comedies and is still occasionally performed. Initially, however, the play struck many audience members as continuing the "immorality" of the previous decades, and was not well received.[1]

Characters

The play is based on the two lovers Mirabell and Millamant (originally played by John Verbruggen and Anne Bracegirdle). In order for them to marry and receive Millamant's full dowry, Mirabell must receive the blessing of Millamant's aunt, Lady Wishfort. Unfortunately, Lady Wishfort is a very bitter lady who despises Mirabell and wants her own nephew, Sir Wilfull, to wed Millamant. Meanwhile, Lady Wishfort, a widow, wants to marry again and has her eyes on an uncle of Mirabell's, the wealthy Sir Rowland.

Another character, Fainall, is having a secret affair with Mrs. Marwood, a friend of Fainall's wife. Mrs. Fainall, who is Lady Wishfort's daughter, herself once had an affair with Mirabell and remains his friend. In the meantime, Mirabell's servant Waitwell is married to Foible, Lady Wishfort's servant. Waitwell pretends to be Sir Rowland and, on Mirabell's command, tries to trick Lady Wishfort into a false engagement.

Plot

Act 1 sets in a chocolate house where Mirabell and Fainall have just finished playing cards. A footman comes and tells Mirabell that Waitwell (Mirabell's male servant) and Foible (Lady Wishfort's female servant) were married that morning. Mirabell tells Fainall about his love of Millamant and is encouraged to marry her. Witwoud and Petulant appear and Mirabell is informed that should Lady Wishfort marry, he will lose £6000 of Millamant's inheritance. He will only get this money if he can get Lady Wishfort's consent to his and Millamant's marriage.

Act 2 is set in St. James’ Park. Mrs. Fainall and Mrs. Marwood are discussing their hatred of men. Fainall appears and accuses Mrs. Marwood (with whom he is having an affair) of loving Mirabell (which she does). Meanwhile, Mrs. Fainall (Mirabell's former lover) tells Mirabell that she hates her husband, and they begin to plot to deceive Lady Wishfort into giving her consent to the marriage. Millamant appears in the park and, angry about the previous night (when Mirabell was confronted by Lady Wishfort), she tells Mirabell of her displeasure in his plan, which she only has a vague idea about. After she leaves, the newly wed servants appear and Mirabell reminds them of their roles in the plan.

Acts 3, 4 and 5 are all set in the home of Lady Wishfort. We are introduced to Lady Wishfort who is encouraged by Foible to marry the supposed Sir Rowland – Mirabell's supposed uncle – so that Mirabell will lose his inheritance. Sir Rowland is, however, Waitwell in disguise, and the plan is to entangle Lady Wishfort in a marriage which cannot go ahead, because it would be bigamy, not to mention a social disgrace (Waitwell is only a serving man, Lady Wishfort an aristocrat). Mirabell will offer to help her out of the embarrassing situation if she consents to his marriage. Later, Mrs. Fainall discusses this plan with Foible, but this is overheard by Mrs. Marwood. She later tells the plan to Fainall, who decides that he will take his wife's money and go away with Mrs. Marwood.

Mirabell and Millamant, equally strong-willed, discuss in detail the conditions under which they would accept each other in marriage (otherwise known as the "proviso scene"), showing the depth of their feeling for each other. Mirabell finally proposes to Millamant and, with Mrs. Fainall's encouragement (almost consent, as Millamant knows of their previous relations), Millamant accepts. Mirabell leaves as Lady Wishfort arrives, and she lets it be known that she wants Millamant to marry her nephew, Sir Wilfull Witwoud, who has just arrived from the countryside. Lady Wishfort later gets a letter telling her about the Sir Rowland plot. Sir Rowland takes the letter and accuses Mirabell of trying to sabotage their wedding. Lady Wishfort agrees to let Sir Rowland bring a marriage contract that night.

By Act 5, Lady Wishfort has found out the plot, and Fainall has had Waitwell arrested. Mrs. Fainall tells Foible that her previous affair with Mirabell is now public knowledge. Lady Wishfort appears with Mrs. Marwood, whom she thanks for unveiling the plot. Fainall then appears and uses the information of Mrs. Fainall's previous affair with Mirabell and Millamant's contract to marry him to blackmail Lady Wishfort, telling her that she should never marry and that she is to transfer her fortune to him. Lady Wishfort offers Mirabell her consent to the marriage if he can save her fortune and honour. Mirabell calls on Waitwell who brings a contract from the time before the marriage of the Fainalls in which Mrs. Fainall gives all her property, in trust, to Mirabell. This neutralises the blackmail attempts, after which Mirabell restores Mrs. Fainall's property to her possession and then is free to marry Millamant with the full £12000 inheritance.

Epigraph of the 1700 edition

The epigraph found on the title page of the 1700 edition of The Way of the World contains two Latin quotations from Horace's Satires:

Audire est operæ pretium, procedere recte

Qui mæchis non vultis.—Hor. Sat. i. 2, 37.

—Metuat doti deprensa—Ibid.[2]

References

  1. ↑ Our Dramatic Heritage: The Eighteenth Century, p.14, edited by Philip George Hill
  2. ↑ Congreve, William. The Way of the World. Retrieved 25 June 2023.
  • Congreve, William (2000). The Way of the World. London, England: A & C Black Limited.
  • Klekar, Cynthia. “Obligation, Coercion, and Economy: The Gift of Deed in Congreve’s The Way of the World.” In The Culture of the Gift in Eighteenth-Century England, ed. Linda Zionkowski and Cynthia Klekar. New York: Palgrave MacMillan, 2009
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