Singeetam Srinivasa Rao
Born (1931-09-21) September 21, 1931
Udayagiri, Madras Presidency, British India (now Andhra Pradesh, India)
NationalityIndian
Alma materUniversity of Madras
Occupations
  • Film director
  • screenwriter
  • producer
  • composer
  • actor
AwardsNational Film Awards
Nandi Awards
Filmfare Awards South
Karnataka State Film Awards

Singeetam Srinivasa Rao (born 21 September 1931),[1] commonly known as Singeetam,[2][3] is an Indian film director, screenwriter, producer, composer, and actor. He is widely regarded as one of the most versatile directors of India.[4][5] He is credited with having revolutionised the South Indian cinema with experimental films.[3][5] He has directed about sixty films in Telugu, Kannada, Tamil, Hindi, and English languages across multiple genres.[5][6][4] He has garnered two National Film Awards, five Nandi Awards, three Karnataka State Film Awards, and three Filmfare Awards South. In 2011, Rao was honored with Life Achievement Award from the Film Federation of India.[7]

Singeetam worked as an assistant to noted director K. V. Reddy from 1955 to 1968 in films like Mayabazar (1957), Jagadeka Veeruni Katha (1961).[8][2][9] He made his directorial debut with the Telugu film Neethi Nijayithi (1972). He then directed social problem films like Dikkatra Parvathi (1974), which won the National Film Award for Best Feature Film in Tamil,[2][10] and Tharam Marindi (1977), which won Nandi Award for Best Feature Film.[11]

He went on to direct notable films like Panthulamma (1978), Mayuri (1985), Anand (1986), Pushpaka Vimana (1987), Aditya 369 (1991), Brundavanam (1992), Magalir Mattum (1994), Bhairava Dweepam (1994), Madam (1994), and Son of Aladdin (2003). Mayuri won a record 14 Nandi Awards,[12][13] and the dialogue-less film, Pushpaka Vimana received the National Film Award for Best Popular Film.[14][15] Aditya 369 and Bhairava Dweepam are considered landmark films in science fiction and fantasy genres respectively in Telugu cinema.[3][16][17][18]

He is particularly noted for his collaboration with two actors — Dr. Rajkumar and Kamal Haasan — which resulted in commercially successful and critically acclaimed films. With Kamal Haasan, he collaborated on Sommokadidhi Sokokadidihi (1979), Raja Paarvai / Amavasya Chandrudu (1981), Pushpaka Vimana (1987), Apoorva Sagodharargal (1990) and Michael Madana Kama Rajan (1990) among others.[2][19] With Rajkumar, he directed films like Haalu Jenu (1982),[20] Chalisuva Modagalu (1982), Eradu Nakshatragalu (1983), and Bhagyada Lakshmi Baramma (1986).[21][22]

Early life

Singeetam Srinivasa Rao was born on 21 September 1931 into a Telugu-speaking family in Udayagiri of Nellore district in present-day Andhra Pradesh. His father, Ramachandra Rao, was a headmaster and his mother, Sakunthala Bai, was a violinist.[2] As a school student, he showed glimpses of talent both in plays and music. He graduated with a Physics Degree from Presidency College, Chennai.[23][9] In college, he honed his skills in plays such as Windows under Harindranath Chattopadhyay.[2]

Career

Early career

After graduation his ambition was to get into films. As his attempts to meet the director K. V. Reddy failed, he took up the job of a teacher in Sullurupeta.[2] But he continued writing and wrote two experimental award-winning plays Bhrama and Anthyaghattam. He also wrote Chitrarjuna, a musical play adopted from Tagore's Chitra - Prince of the Dark Chamber. It was translated into English by Scottish dramatist Tom Buchan for an American television channel. He also worked as a journalist at the time writing for Telugu Swatantra.[2][9]

Telugu cinema

He continued his efforts to meet his favourite director K. V. Reddy and in 1954 he was finally able to meet him. K. V. Reddy gave him a copy of The Monkey's Paw and asked him to write a script based on it. Srinivasa Rao wrote the script along with dialogues in three months. K. V. Reddy was impressed and took him as an apprentice.[2] He later graduated as an associate director under K. V. Reddy and worked with him for all his films from Donga Ramudu (1955) until Uma Chandi Gowri Sankarula Katha (1968) including Mayabazar (1957), Jagadeka Veeruni Katha (1961), Sri Krishnarjuna Yuddham (1963).[8]

In 1972, Srinivasa Rao ventured into film direction with Neethi Nijayithi, an offbeat Telugu film. The film won critical acclaim but was not commercially successful.[2] He then directed the social problem film Tharam Marindi (1977) which won the Nandi Award for Best Feature Film.[11]

He made other successful Telugu films like Zamindaru gari Ammayi (1975), America Ammayi (1976), Panthulamma (1978), Sommokadidhi Sokokadidhi (1979), Mayuri (1985), America Abbayi (1987), Aditya 369 (1991), Brundavanam (1992), Bhairava Dweepam (1994), Madam (1994). Mayuri won a record 14 Nandi Awards including the Nandi Award for Best Feature Film.[12][13] Srinivasa Rao won the Nandi Award for Best Screenplay Writer for Brundavanam and the Nandi Award for Best Director for Bhairava Dweepam. Aditya 369 and Bhairava Dweepam are considered classic films in science fiction and fantasy genres respectively in Telugu cinema.[3][16][17][18]

He made over half of his films in Telugu. He directed nearly 30 Telugu films across genres. His most recent film was Welcome Obama (2013). The story deals with commercial surrogacy in India where women are used as surrogates by foreigners and tells the story of one such surrogate mother who bears a foreigner's child.[1]

He is also roped in as a mentor for the upcoming Telugu science fiction film Project K. Made at an estimated budget of ₹500 crore, it is one of the most expensive Indian films ever made. Srinivasa Rao gave his inputs and opinion on the film's script as a part of the mentorship.[24]

Kannada cinema

Srinivasa Rao was the executive director of the 1970 Kannada movie Samskara directed by Pattabhirama Reddy. It won the President's gold medal for National Film Award for Best Feature Film.[4] Singeetam made his Kannada directorial debut with the 1982 blockbuster Haalu Jenu starring Rajkumar. He went on to direct six more Kannada blockbusters with Rajkumar - Chalisuva Modagalu (1982), Eradu Nakshatragalu (1983), Shravana Banthu (1984), Jwaalamukhi (1985), Bhagyada Lakshmi Baramma (1986) and Devatha Manushya (1988). Two of these were based on novels. He was selected to direct the historical Amoghavarsha Nrupathunga which was supposed to be Rajkumar's 200th movie but eventually dropped.[25] However, he subsequently went on to direct Devatha Manushya (1988) which happened to be Rajkumar's 200th film.

His other non-Rajkumar Kannada directorials include Anand (1986) and Chiranjeevi Sudhakara (1988) apart from Ksheera Sagara (1992), Tuvvi Tuvvi Tuvvi (1999) and Make-up (2002) in the latter part of his career. He co-wrote the screenplay for two Kannada movies produced by Rajkumar's banner that were not directed by him - Shruthi Seridaaga (1987) and Samyuktha (1988). He was also the script-writer of Belliyappa Bangarappa (1992). A disciple of legendary composer S. Rajeswara Rao, he has composed music for two Kannada films - Bhagyada Lakshmi Baramma and Samyuktha.[26]

Most of the films he directed in Kannada were produced by Parvathamma Rajkumar and all were critically and commercially successful. Of the seven films Srinivasa Rao directed with Rajkumar in lead roles, four movies were remade in Telugu. Singeetam's association with Rajkumar was a rare one where he not only directed cult classics and landmark movies but also co-wrote screenplay and composed music for movies produced by the actor even though they were not directed by him. This stands as a testimony for the faith Rajkumar had in the abilities of Rao and the admiration Srinivasa had for Rajkumar.[27] In 1988, when Rajkumar announced his desire to temporarily retire from acting, Singeetam decided to concentrate on Tamil movies where he mostly had Kamal Haasan in the lead roles.[28]

The Kannada Film Journalists Association has honoured Srinivasa Rao with a Special Biography. Srinivasa Rao received three Karnataka State Film Awards — two for Best Screenplay and one for Best movie.[4]

Lyricist and composer

He composed lyrics for films like Bhairava Dweepam (1994) and soundtracks for a few Kannada films. He edited many magazines in Telugu such as Bharati, and scripted plays like Brahma, Antya Ghattam, and Chitrārjuna. Chitrārjuna was also translated into English, and was telecasted in American Television.[29] A disciple of legendary composer S. Rajeswara Rao, he has also composed music for two Kannada movies of matinee idol Rajkumar's banner - Bhagyada Lakshmi Baramma (which was directed by him) and Samyuktha - (which was not directed by him).[30]

Innovative cinema

Srinivasa Rao (right) at IFFI 2015

The 1984 Telugu biographical dance film, Mayuri, which won the National Film Award – Special Mention (Feature Film), was premiered at the 1985 International Film Festival of India, has also received several state Awards, including the State Nandi Award for Best Feature Film, and Filmfare Award South for Best Direction.[31] The film was later remade into Hindi as Naache Mayuri.

In 1988, he co-produced, scripted and directed the first Indian dialogue-less film, Pushpaka Vimana which received special mention at Shanghai Film Festival.[32][33] When he was working with Rajkumar, Srinivasa Rao was introduced to Rajkumar's relative, actor Shringar Nagaraj who decided to co-produce Pushpaka Vimana.[34] The film was listed among CNN-IBN's 'Hundred greatest Indian films of all time'.[35]

The comedy-drama blockbuster Apoorva Sagodharargal (1989) was one of the enduring works on dwarfism in popular media.[36][37] The film won the Filmfare Award for Best Film – Tamil, and was premiered at the International Film Festival of India. The Telugu crossover films like America Ammayi (1976), and America Abbayi (1987) were box office hits. The 1990 action comedy, Michael Madana Kama Rajan - a movie about quadruplets[38] - became an instant hit at the box office.

The Telugu science fiction film Aditya 369 was one of the highest grossing Telugu films of 1991, grossing ₹9 crore at the box office.[39] A sequel, entitled Aditya 999, was delayed indefinitely in July 2016.[40] Another science fiction in Tamil, Chinna Vathiyar was also an instant hit. The 1994, folklore Bhairava Dweepam garnered the state Nandi Award for Best Direction.

The 2003 animation film, Son of Aladdin, had 1100 shots and 125 characters.[41] The film won Special Mention in the Competition section at the 2003 International Children’s Film Festival Hyderabad,[42][43][44] and subsequently premiered at the 37th International Film Festival of India.[45] The 2008 animation film Ghatothkach received special mention at the Grand Finale - Children's Film Festival 2014 of the 44th International Film Festival of India.[46]

Upcoming projects

Srinivasa Rao plans to make a sequel to Aditya 369 in the future.[3] He also expressed his wish to direct a pre-recorded experimental film — a musical in which he wants to use pre-recorded sequences and dialogues while shooting. He also wants to make a documentary on the making of Apoorva Sagodhararkal. He also wants to write a book on the making of Pushpaka Vimana, and his autobiography in the form of a screenplay.[6]

Collaborators

Srinivasa Rao is particularly noted for his collaboration with two actors - Dr. Rajkumar and Kamal Haasan - which resulted in commercially successful and critically acclaimed movies. With Kamal Haasan he made films such as Pushpaka Vimana (1987), Apoorva Sagodharargal (1990) and Michael Madana Kama Rajan (1991) among others,[19] He also directed Kamal Haasan in his 100th film Raja Paarvai / Amavasya Chandrudu (1981).[47]

He directed Rajkumar in seven Kannada films in the 1980s.[21] Notable among them are Haalu Jenu (1982),[20] Chalisuva Modagalu (1982), Bhagyada Lakshmi Baramma (1986),[22] and Rajkumar's 200th film Devatha Manushya (1988). He was also the first person to direct Dr. Rajkumar and all his three sons.[48] He directed Shiva Rajkumar and Raghavendra Rajkumar in their debut movies, Anand (1986) and Chiranjeevi Sudhakara (1988) respectively.[21][49] He had also directed Puneeth Rajkumar as a child artiste in Eradu Nakshatragalu in which he played dual role.[50] Most of his Kannada films were produced by Parvathamma Rajkumar whose ability to judge what would work with the audience and whose story-picking knack he believed in.[51] He was the only director to have worked with her on at least one film in each of the seven years during 1982 to 1988.[52]

Srinivasa Rao also collaborated with Balakrishna in three films — the science fiction film Aditya 369 (1991), fantasy film Bhairava Dweepam (1994), and the mythological film Sri Krishnarjuna Vijayam (1996).[53][54] Aditya 369 and Bhairava Dweepam are considered landmark films in science fiction and fantasy genres respectively in Telugu cinema.[3][16][17][18] He directed Rajendra Prasad in two films — Brundavanam (1992) and Madam (1994). Both were commercially successful.

Kannada actor Shivaram has been a part of all seven movies of Srinivasa Rao starring Rajkumar. B. C. Gowrishankar, a regular cameraman for Rajkumar movies, was selected as the cinematographer for Srinivasa Rao's later movies - Pushpaka Vimana [55] and Michael Madana Kama Rajan.[56] Another regular technician of Rajkumar movies - art director Peketi Ranga - was also selected as the art director for Srinivasa Rao's Michael Madana Kama Rajan.[57]

Influences

His favourite litterateurs are Vemana, Mark Twain, and P. G. Wodehouse.[58] He feels no one has expressed the truths of everyday life better than Vemana. He was introduced to Mark Twain by an American missionary when he was eight. He considers Robin Hood to be his favourite hero of fiction.[58]

Accolades

In 2010, Srinivasa Rao headed the Jury of the Indian Panorama at the 8th Chennai International Film Festival.[59] In 2011, Srinivasa Rao received the Life Achievement Award from the Film Federation of India at the 4th Global Film Festival.[7] Srinivasa Rao was also the Guest of honor alongside Barrie Osbourne at the Media and Entertainment Business Conclave 2012 hosted by FICCI and FFI.[60][61] In 2012, Srinivasa Rao served as one of the selection committee members for the Sundance Institute's screenwriters lab.[62]

19th Chennai International Film Festival
  • Life Time Achievement Award (2021)
Film Federation of India
  • Life Time Achievement Award (2011)
National Film Awards
Nandi Awards[63]
Karnataka State Film Awards
Filmfare Awards South

Filmography

Year Film Language Director Producer Writer Notes
1972Neeti-NijayitiTeluguYesDirectorial debut in Telugu cinema
1974Dikkatra ParvathiTamilYesYesYesDirectorial debut in Tamil cinema
National Film Award for Best Feature Film in Tamil
Filmfare Award for Best Film - Tamil
1975Zamindaru gari AmmayiTeluguYes
1976Oka Deepam VeligindhiTeluguYes
1976America AmmayiTeluguYesYesYes
1977Tharam MarindiTeluguYesYesYesNandi Award For Best Feature Film
1977Andame AnandamTeluguYesYesYes
1977PanthulammaTeluguYesYesYesAlso actor
1977Niraparayum NilavilakkumMalayalamYesDirectorial debut in Malayalam cinema.
1978RaamachilakaTeluguYesRemake of Annakili
1978Gammathu GoodacharuluTeluguYes
1979 Sommokadidhi Sokokadidhi TeluguYes Yes Starring Kamal Haasan
1979Mangala ThoranaluTeluguYes
1980Triloka SundariTeluguYes
1980Gandara GolamTeluguYes
1980Pilla ZamindarTeluguYesYes
1981Raja Paarvai
Amavasya Chandrudu		Tamil
Telugu		YesStarring Kamal Haasan
1981JegantaluTeluguYes
1982Thrilok SundhariHindiYes
1982Haalu JenuKannadaYesYesYesDirectorial debut in Kannada
Karnataka State Film Award for Best Film
Starring Rajkumar
1982Chalisuva ModagaluKannadaYesYesStarring Rajkumar
1983Eradu NakshatragaluKannadaYesYesStarring Rajkumar and Puneeth Rajkumar
1983 Andhra Kesari Telugu
1983Raju Rani JackieTeluguYesYes
1984Shravana BanthuKannadaYesStarring Rajkumar
1984Vasantha GeetamTeluguYesYes
1984Sangeeta SamratTeluguYes
1984MayuriTeluguYesYesNandi Award for Best Feature Film
Filmfare Award South For Best Direction
Nandi Award for Best Screenplay
1985JwaalamukhiKannadaYesYesStarring Rajkumar
1986Bhagyada Lakshmi BarammaKannadaYesKarnataka State Film Award for Best Screenplay
Also Music director
Starring Rajkumar
1986AnandKannadaYesYesKarnataka State Film Award for Best Screenplay
Starring Shiva Rajkumar in his debut
1986Naache MayuriHindiYes
1987America AbbayiTeluguYesYes
1987Shruthi SeridaagaKannadaYesCo-screenplay writer
Starring Rajkumar
1987Pushpaka VimanaSilentYesYesYesNational Film Award for Best Popular Film Providing Wholesome Entertainment
Filmfare Award for Best Director – Kannada
Starring Kamal Haasan
1988Devatha ManushyaKannadaYesStarring Rajkumar ( his 200th movie)
1988Chiranjeevi SudhakaraKannadaYesStarring Raghavendra Rajkumar in his debut
1988SamyukthaKannadaYesCo-Screenplay writer and Music Director
Starring Shiva Rajkumar
1989Apoorva SagodharargalTamilYesStarring Kamal Haasan
1990Michael Madana Kama RajanTamilYesStarring Kamal Haasan
1991Aditya 369TeluguYesYesStarring Nandamuri Balakrishna
1992Ksheera SagaraKannadaYesYesStarring Kumar Bangarappa
1992Belliyappa BangarappaKannadaYesStarring Kumar Bangarappa
1992BrundavanamTeluguYesNandi Award for Best Screenplay
1993PhoolHindiYesYes
1994Magalir MattumTamilYes
1994Bhairava DweepamTeluguYesYesNandi Award for Best Director
Nandi Award for Best Feature Film
Also Lyric writer for Virisinadhi Vasantha Gaanam
Starring Nandamuri Balakrishna
1994MadamTeluguYesYes
1995Chinna VathiyarTamilYes
1996Sri Krishnarjuna VijayamTeluguYesYesStarring Nandamuri Balakrishna
1998Raja HamsaTeluguYesYes
1998Kaathala KaathalaTamilYesStarring Kamal Haasan
1999Tuvvi Tuvvi TuvviKannadaYesStarring Raghavendra Rajkumar
2001Little JohnEnglish
Hindi
Tamil		YesYes
2001Akasa VeedhiloTeluguYesYes
2002Make-upKannadaYesStarring Jaggesh
2003VijayamTeluguYes
2003Son of AladdinEnglishYesYesSpecial Mention in the Competition section at the 2003 International Children's Film Festival
2005Mumbai XpressHindi
Tamil		YesStarring Kamal Haasan
2008GhatothkachHindiYesYesAnimation Film
2010VaruduTeluguActor
2013Chinni Chinni AasaTeluguActor
2013Welcome ObamaTeluguYesYesRemake of Marathi movie Mala Aai Vhhaychy!
2015KancheTeluguActor
2022PratibimbaluTeluguYesThe film was shot in 1982, but released in 2022

References

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  5. 1 2 3 Srinivasan, Pavithra (7 September 2010). "Singeetham Srinivasa Rao's gems before Christ". Rediff.com. Archived from the original on 17 September 2017. Retrieved 6 October 2014. There's no stopping the drive and ambition of the veteran film-maker Singeetham Srinivasa Rao who has made film after successful film in Telugu, Tamil, Kannada, Malayalam, and Hindi in as many genres as he could, from mythology to laugh-aloud comedies.
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  20. 1 2 "ಹಾಲು ಜೇನು". 11 May 2017. Archived from the original on 15 January 2021. Retrieved 14 January 2021.
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  28. ↑ M. K., Raghavendra (2011). "Vestiges of Mysore". Bipolar Identity. Oxford University Press. pp. 73–98. doi:10.1093/acprof:oso/9780198071587.003.0003. ISBN 978-0-19-807158-7. Archived from the original on 19 October 2020. Retrieved 1 October 2020.
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  37. ↑ S, Srivatsan (13 April 2019). "Why Kamal Haasan's 'Apoorva Sagodharargal' is 30-years-young". The Hindu. ISSN 0971-751X. Archived from the original on 15 April 2019. Retrieved 15 April 2019.
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  39. ↑ Nyayapati, Neeshita. "Balakrishna's famous sci-fi 'Aditya 369' turns 27 today". The Times of India.
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  50. ↑ Category: Parvathamma Rajkumar Writes (4 April 2006). "Parvathamma Rajkumar Column 29 - chitraloka.com | Image". Chitraloka.com. Archived from the original on 13 April 2021. Retrieved 5 April 2022.
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