Stage career

During World War II, the younger Pitoëff followed his mother back to Switzerland, where he played his earliest roles. After the war he returned to Paris, becoming general manager at the Théâtre des Bouffes du Nord. He made his directorial debut with a 1950 staging of Uncle Vanya, which proved both a critical and commercial success.

He became a fixture of Parisian theatre in the 1960s, becoming the director of his own troupe. His repertoire included works by Jean Genet, Eugène Ionesco, Hugo Claus, Robert Musil, Anna Langfus and Anton Chekhov. With Romy Schneider, he staged The Seagull, Uncle Vanya and Three Sisters at Théâtre de l'Œuvre.

In 1967, he achieved his greatest success with a well-regarded production of Luigi Pirandello's Henry IV, which he directed and starred in, with Claude Jade.

Film acting

Pitoëff (on the left) with Ingrid Bergman, Akim Tamiroff and Yul Brinner in Anastasia (1956).

Pitoëff played his first film role in 1952, in the omnibus film The Seven Deadly Sins. Appearing in over 50 films, he is probably best known for his performance in Alain Resnais's enigmatic Last Year at Marienbad (1960), as the unnamed man who may or may not be Delphine Seyrig's husband.

He was featured in roles of various sizes in such films as Henri-Georges Clouzot's Les Espions (1957), Peter Ustinov's Lady L (1965), René Clément's Is Paris Burning? (1966), and Jacques Demy's Donkey Skin (1970). He also appeared in several Hollywood productions, including Anatole Litvak's Anastasia (1956) and The Night of the Generals (1967), Mark Robson's The Prize (1963) and Dick Clement's To Catch a Spy (1971).

Toward the end of his acting career, he began appearing in horror films. His final role was as the bookseller Kazanian in Dario Argento's Inferno (1980).

For the last ten years of his life, Pitoëff was a professor at the National School of Theatre Arts and Techniques (ENSATT) in Lyon, where his students included Gérard Depardieu, Jean-Roger Milo and Niels Arestrup.

Film

Television