Robert Gould Shaw Memorial
ArtistAugustus Saint-Gaudens
Year1884 (1884)
TypeBronze
Dimensions3.4 m × 4.3 m (11 ft × 14 ft)
LocationBoston, Massachusetts, U.S.
Coordinates42°21′27″N 71°3′48.6″W / 42.35750°N 71.063500°W / 42.35750; -71.063500
OwnerNational Park Service

The Memorial to Robert Gould Shaw and the Massachusetts Fifty-Fourth Regiment is a bronze relief sculpture by Augustus Saint-Gaudens opposite 24 Beacon Street, Boston (at the edge of the Boston Common). It depicts Colonel Robert Gould Shaw leading members of the 54th Regiment Massachusetts Volunteer Infantry as it marched down Beacon Street on May 28, 1863 to depart the city to fight in the South. The sculpture was unveiled on May 31, 1897.[1] This is the first civic monument to pay homage to the heroism of African American soldiers.[2]

History

The monument marks Shaw's death on July 18, 1863 after he and his troops attacked Fort Wagner, one of two forts protecting the strategic Confederate port of Charleston, South Carolina.[2] Joshua Bowen Smith, a Massachusetts state legislator, led the effort to obtain authorization for the monument; others participating in its early planning included Governor John Albion Andrew, who had urged Shaw to take command of the 54th Regiment, Samuel Gridley Howe, and Senator Charles Sumner.[3] The monument was meant to show the public's gratitude to Shaw and commemorate the events that recognized the citizenship of Black men.[3]

A photo of the of the Robert Gould Shaw Memorial taken after the completed renovations in 2021. The photo depicts the sculpture set further back from the street to allow for more standing room and benches.
The Robert Gould Shaw Memorial after the completed restoration project in 2021.

In celebrating Shaw, Saint-Gaudens depicted Shaw on horseback, while the Massachusetts 54th is depicted in bas-relief, thus creating a "stylistically unprecedented" and "hybrid" work that modifies the traditional Western equestrian monument.[2] Saint-Gaudens would later draw upon this new model in his 1903 memorial to William T. Sherman in New York's Central Park.[2] Each of the twenty-three Black soldiers is rendered with distinct, individualistic features that were based on those of live models hired by Saint-Gaudens.[2]

Fundraising for the monument, led by the survivors of the 54th Massachusetts Volunteer Infantry and emancipated Black people from Beaufort, South Carolina, began immediately after the battle, but funds were redirected because the Beaufort site was found unsuitable and local white people expressed resentment.[2]

The monument was vandalized in 2012, 2015, and 2017. On May 31, 2020, as part of the 2020 George Floyd protests, the back of the monument was vandalized with phrases such as "Black Lives Matter", "ACAB," and "Fuck 12". As part of a renovation plan, the front had been covered with plywood, which also received graffiti.[4][5]

Restoration of the monument began on May 20, 2020, and was completed in March 2021.[6] The memorial was removed and taken to an offsite location for restoration. While the bronze sculpture was being cleaned and repaired, a new concrete foundation was built. The project cost $2.8 million and includes an augmented reality mobile app that assists visitors in experiencing the monument.[7] New signage was added detailing the history of the Civil War, the 54th Regiment, and the monument itself, with QR codes for the AR app.[8]

In July 2020, the monument became a focus of discussion during the iconoclasm that took place as part of the George Floyd protests.[9]

Dedications and inscriptions

Photo of inscription which reads : "To the 54th Regiment of the Massachusetts Infantry The White officers taking life and honor in their hands cast in their lot with men of a despised race unproved in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file, volunteered when disaster clouded the Union cause served without pay for 18 months till given that of white troops faced threatened enslavement if captured were brave in action patient under heavy and dangerous labors and cheerful amid hardship and privations. Together, the gave to the nation and the world undying proof that Americans of African descent possess the pride courage and devotion of the patriot soldier, 180,000 such Americans enlisted under the union flag in MDCCCLXIII–MDCCCLXV. The memory of the just is blessed" then the names of the regiments.
Inscription on the back of the Memorial

The work was dedicated by philosopher William James of Harvard:

There they march, warm-blooded champions of a better day for man. There on horseback among them, in his very habit as he lived, sits the blue-eyed child of fortune, upon whose happy youth every divinity had smiled.

— Oration by William James at the exercises in the Boston Music Hall, May 31, 1897, upon the unveiling of the Shaw Monument.[10]

A Latin inscription on the relief reads OMNIA RELINQVIT / SERVARE REMPVBLICAM ("He left behind everything to save the Republic"). The pedestal below carries lines from James Russell Lowell's poem "Memoriae Positum":

Right in the van of the red rampart's slippery
swell with heart that beat a charge he fell
foeward as fits a man: but the high soul burns
on to light men's feet where death for noble
ends makes dying sweet.

On the rear are words by Charles W. Eliot, president of Harvard University:

The White Officers taking life and honor in their hands cast in their lot with men of a despised race unproven in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file volunteered when disaster clouded the Union Cause. Served without pay for eighteen months till given that of white troops. Faced threatened enslavement if captured. Were brave in action. Patient under heavy and dangerous labors. And cheerful amid hardships and privations. Together they gave to the Nation and the World undying proof that Americans of African descent possess the pride, courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the Union Flag in MDCCCLXIII–MDCCCLXV. [1863-1865][11]

Restored plaster cast at the National Gallery of Art

A plaster cast, which was exhibited at the 1901 Pan-American Exposition, is displayed at the National Gallery of Art,[12] on loan by the Saint-Gaudens National Historic Site, Cornish, New Hampshire.[13] The inscription running along the bottom of this plaster cast incorrectly states that the assault on Fort Wagner and Shaw's death in 1863 occurred "JULY TWENTY THIRD," five days later than the historic events.

  • William Vaughn Moody describes Shaw and the monument in the poem "An Ode in Time of Hesitation."[14]
  • The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment), is the first movement of Three Places in New England (1903-1929), by Charles Ives.
  • Robert Lowell's famous poem "For the Union Dead", the title poem of a 1964 collection by the same name, refers to the monument in the poem. The first edition of the book featured a drawing of the relief on the cover.
  • The memorial was depicted in the ending credits scene of the 1989 film, Glory, directed by Edward Zwick.[2]
  • The memorial was used as the background for the 1998 U.S. postage stamp honoring author and poet Stephen Vincent Benét on the 100th anniversary of his birth.
  • Route One/USA shows a group of southern girls visiting and being told about the history by a local guide.

See also

References

  1. ↑ "Robert Gould Shaw Memorial". History and Culture: Boston African American National Historic Site: Massachusetts. National Park Service. Archived from the original on May 4, 2016. Retrieved November 22, 2020..
  2. 1 2 3 4 5 6 7 Dupré, Judith (2007). Monuments: America's History in Art and Memory. New York: Random House. pp. 80–85. ISBN 978-1-4000-6582-0. Archived from the original on 2023-02-25. Retrieved 2023-03-19.
  3. 1 2 The Monument to Robert Gould Shaw: Its Inception, Completion, and Unveiling . Cambridge: Houghton, Mifflin. 1897. Retrieved June 30, 2013.
  4. ↑ "Shaw 54th Regiment Memorial defaced during protests Archived 2020-06-05 at the Wayback Machine," WCVB5, a Boston ABC News affiliate, 1 June 2020. Retrieved 5 June 2020.
  5. ↑ "16 Statues And Memorials Were Damaged During Sunday's Protests, Including One Dedicated To African American Soldiers". www.wbur.org. Archived from the original on 2020-06-14. Retrieved 2020-06-14.
  6. ↑ Sweeney, Emily; Andersen, Travis (March 3, 2021). "Civil War memorial to 54th Regiment returns to Boston Common". Boston Globe. Archived from the original on March 10, 2021. Retrieved March 20, 2021.
  7. ↑ Sweeney, Emily (2019-10-15). "Civil War memorial across from State House will be taken down for major face lift". The Boston Globe. Archived from the original on 2019-10-16. Retrieved 2019-10-16.
  8. ↑ "Restoration Work on Shaw 54th Memorial Now Underway – Beacon Hill Times". beaconhilltimes.com. Archived from the original on 2020-06-14. Retrieved 2020-06-14.
  9. ↑ "Boston's memorial to Robert Gould Shaw and the Massachusetts 54th Regiment's black soldiers faces scrutiny in monument debate". MassLive. July 27, 2020. Archived from the original on July 29, 2020. Retrieved July 29, 2020..
  10. ↑ Boston City Council (1897). Exercises at the dedication of the monument to Colonel Robert Gould Shaw and the Fifty-fourth regiment of the Massachusetts infantry (May 31, 1897). Boston: Municipal Printing Office.
  11. ↑ "Memorial to Robert Gould Shaw, (sculpture)". Save Outdoor Sculpture, Massachusetts survey. 1997. Archived from the original on September 27, 2013. Retrieved October 22, 2011.
  12. ↑ "NGA -- Shaw Memorial Home Page". Archived from the original on 2011-08-05. Retrieved 2011-10-24.
  13. ↑ "Memorial to Robert Gould Shaw, (sculpture)". Save Outdoor Sculpture, New Hampshire survey. 1993. Archived from the original on April 2, 2015. Retrieved October 22, 2011.
  14. ↑ Francis, J.; Glasheen, Adaline (1943). "Moody's "An Ode in Time of Hesitation"". College English. 5 (3): 121–129. doi:10.2307/371137. JSTOR 371137.
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