Patty Hearst | |
---|---|
Directed by | Paul Schrader |
Screenplay by | Nicholas Kazan |
Based on | Every Secret Thing by
|
Produced by | Marvin Worth |
Starring | |
Cinematography | Bojan Bazelli |
Edited by | Michael R. Miller |
Music by | Scott Johnson |
Distributed by | Atlantic Releasing |
Release date |
|
Running time | 108 minutes |
Country | United States |
Language | English |
Box office | $1,223,326 |
Patty Hearst is a 1988 American biographical film crime drama directed by Paul Schrader and stars Natasha Richardson as Hearst Corporation heiress Patricia Hearst and Ving Rhames as Symbionese Liberation Army leader Cinque. It is based on Hearst's 1982 autobiography Every Secret Thing (co-written with Alvin Moscow), which was later rereleased as Patty Hearst – Her Own Story.
The film depicts the kidnapping of student Patty Hearst by the Symbionese Liberation Army, her transformation into an active follower of the SLA after a long-lasting imprisonment and process of purported brainwashing, and her final arrest after a series of armed robberies.
Cast
- Natasha Richardson as Patricia Hearst
- William Forsythe as William "Teko" Harris
- Ving Rhames as Cinque Mtume
- Frances Fisher as Yolanda
- Jodi Long as Wendy Yoshimura
- Olivia Barash as Fahizah
- Dana Delany as Gelina
- Marek Johnson as Zoya
- Kitty Swink as Gabi
- Peter Kowanko as Cujo (as Pete Kowanko)
- Tom O'Rourke as Jim Browning
- Scott Kraft as Steven Weed
- Jeff Imada as neighbor
- Ermal Williamson as Randolph A. Hearst
- Elaine Revard as Catherine Hearst
- Destiny Reyes Allstun as Vicky Hearst
Production
The film was written by Nicholas Kazan (son of Oscar-winning director Elia Kazan) drawing narration from Hearst's memoir.[1]
Patty Hearst premiered at the 1988 Cannes Film Festival on May 13 in the feature film competition.[2] The film opened on September 23, 1988, in the US and grossed $601,680 in its opening weekend. It made a total domestic gross of $1,223,326.[3]
Reception
The film garnered a generally mixed critical response, although Richardson's performance was applauded by most critics. Amongst credited critics, the film has a rating of 45% positive reactions on Rotten Tomatoes, with 11 reviews counted.[4] Vincent Canby of The New York Times wrote that "Patty Hearst is a beautifully produced movie, seen entirely from Patty's limited point of view. It is stylized at times, utterly direct and both shocking and grimly funny."[5] Roger Ebert writing for the Chicago Sun-Times praised Richardson's performance: "The entire film centers on the remarkable performance by Natasha Richardson as Hearst." but concluded that "This whole story seemed so much more exciting from the outside."[6]
Pauline Kael called the film "a lean, impressive piece of work" and even suggested that it answered the longstanding mystery about Hearst: "Did Patty Hearst become part of the S.L.A. willingly, out of conviction, or was she simply trying to save her life? The movie shows you that, in the state she was in, there was no difference. Natasha Richardson, who plays Patty, has been handed a big unwritten role; she feels her way into it, and she fills it. We feel how alone and paralyzed Patty is — she retreats to being a hidden observer. Patty is a girl who is raped in mind and body, and no longer knows when it started."[7]
References
- ↑ The 10 Best Paul Schrader Movies - Page 2 - Taste of Cinema
- ↑ "Festival de Cannes: Patty Hearst". festival-cannes.com. Retrieved 2009-07-27.
- ↑ Patty Hearst at Box Office Mojo
- ↑ Patty Hearst at Rotten Tomatoes.
- ↑ Review in The New York Times, 23 September 1988.
- ↑ Review in the Chicago Sun-Times, 23 September 1988.
- ↑ Kael, Pauline (2011) [1991]. 5001 Nights at the Movies. New York: Henry Holt and Company. p. 571. ISBN 978-1-250-03357-4.