Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.[2]
Neu Leipziger Gesangbuch
Vopelius is primarily remembered for the Neu Leipziger Gesangbuch (New Leipzig Hymnal) which he published in 1682.[2][3][4] The subtitle of the publication reads:
... Von den schönsten und besten Liedern verfasset, In welchem Nicht allein des sel. Herrn D. Lutheri und andere mit Gottes Wort, und unveränderter Augsburgischer Confession überein stimmende, und in Christlicher Gemeine allhier, wie auch anderer reinen Evangelischen Orten und Landen eingeführete und gebräuchliche Gesänge, Lateinische Hymni und Psalmen, Mit 4. 5. bis 6. Stimmen, deren Melodeyen Theils aus Johann Herman Scheins Cantional, und andern guten Autoribus zusammen getragen, theils aber selbsten componiret; Sondern auch die Passion nach den heiligen Evangelisten Matthaeo und Johanne, die Auferstehung, die Missa, Praefationes, Responsoria und Collecten, auf die gewöhnlichen Sonn- und hohen Festtage, das Magnificat nach den 8. Tonis, Te Deum laudamus, Symbolum Nicaenum, &c. Choraliter, Und was sonsten bey dem ordentlichen Gottesdienste gesungen wird, zu finden
— Gottfried Vopelius, title page of the Neu Leipziger Gesangbuch
Or, translated:
... Compiled from the most beautiful and best songs; In which not only songs of the blessed Dr. Luther, and other (songs) with the Word of God, and in accord with the unmodified Augsburg Confession, but also (songs) as introduced and customary in other untainted Evangelical places and regions, and Latin hymns and psalms, set for four, five and up to six voices, the settings of which are partly collected from Johann Herman Schein's Cantional, and from other good authors, and partly also composed by myself, also, in particular, the Passion according to the holy Evangelists Matthew and John, the Resurrection, the Mass, Prefaces, Responsories and Collects, for ordinary Sundays and high Feasts, the Magnificat in the eight tones, Te Deum laudamus, Symbolum Nicenum, etc. choraliter, and whatever else is sung in regular church services, are to be found
The Neu Leipziger Gesangbuch is, to a certain degree, a third edition of Johann Schein's Cantional, which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the Neu Leipziger Gesangbuch were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Johann Crüger and Andreas Hammerschmidt are mentioned for more than three settings.[5][6][7][8][9]
Column | Content | |
---|---|---|
1 | Page | Page numbers in Neu Leipziger Gesangbuch, linking to the page of a digital facsimile at Google Books |
2 | Context | Characteristics as mentioned in the title or introduction of the song, inasmuch as such information is not covered by other columns of the table. Chapters of the book are indicated by rows with a grey background colour:
|
3 | Incipit | Text incipit (usually considered to be the name of the hymn or text) |
4 | Author | Text author, as attributed in the book (may be incomplete and/or incorrect); "(transl.)" indicates that the author is mentioned as translator. |
5 | Setting | Type of musical setting, e.g. "SATB hymn" refers to a hymn set as a four-part chorale, "Bc" refers to thoroughbass (basso continuo) accompaniment; Alternatively, page number of another hymn tune if so indicated in the book. |
6 | Composer | Composer of the setting, as attributed in the book (may be incomplete and/or incorrect). For part songs this usually refers to the composer of the harmonisation. |
7 | Occasion | Occasion for which the hymn is suitable, according to the Registers (after p. 1104) |
Reception
The Neu Leipziger Gesangbuch was one of the last important hymnals in the Kantional format (i.e. printed with music, including part-songs): congregational singing was generally becoming monodic, with an instrumental accompaniment, for which hymnals with only texts became the new standard.[9]
In his Leipzig time (1723–1750), Johann Sebastian Bach used the Neu Leipziger Gesangbuch as a reference work for many of his sacred compositions.[15] For the closing chorales of his cantatas BWV 27 and BWV 43 he used the harmonisation as found in the hymnal.[16][17] For other chorale settings, such as BWV 281, he stayed close to the harmonisation published by Vopelius.[18]
Later editions of the Leipziger Gesangbuch
In 1693 Vopelius published the Leipziger Gesangbuch, which he describes as a republication of the Neu Leipziger Gesangbuch, however without the chorale settings, but with more hymns, and enriched with engravings.[1] The next edition appeared in 1707.[19] Later editions of the Leipziger Gesangbuch, in 1729, 1733 and 1752, further enlarged the number of hymns, to 852, 856 and 1015 respectively, and referred to Vopelius as the former editor of the hymnal.[20][21][22] The 1758 and 1767 editions kept the number of hymns at 1015, keeping also the referral to Vopelius as former editor on the title page.[23][24]
References
- 1 2 VD17 39:148106H at gso
.gbv .de - 1 2 Robert Eitner. "Vopelius, Gottfried", pp. 298–299 in Vol. 40 of Allgemeine Deutsche Biographie. Historische Kommission bei der Bayerischen Akademie der Wissenschaften, 1896.
- ↑ VD17 12:120222E at gso
.gbv .de - ↑ Gottfried Vopelius (editor and composer), Georg Möbius (introduction and notes), and many others (lyrics and/or settings by Martin Luther, Johann Hermann Schein, Paul Gerhardt, Johann Crüger, Andreas Hammerschmidt, etc). Neu Leipziger Gesangbuch. Leipzig: Christoph Klinger, 1682.
- ↑ Carl Ferdinand Becker. Die Choralsammlungen der verschiedenen christlichen Kirchen. F. Fleischer, 1845, pp. 98–99
- ↑ BNF 432586016, 43258602j; OCLC 844368601, 844368602
- ↑ Johann Schein. Cantional, Oder Gesangbuch Augspurgischer Confession. Leipzig: Schein, 1627 (VD17 39:148641Y)
- ↑ Johann Schein. Cantional, Oder Gesang-Buch Augspurgischer Confession. Leipzig: Schuster, 1645 (VD17 23:287061Q; Google Books)
- 1 2 Lukas Lorbeer. "L-1682", pp. 108–111 in Die Sterbe- und Ewigkeitslieder in deutschen lutherischen Gesangbüchern des 17. Jahrhunderts. Vandenhoeck & Ruprecht, 2012. ISBN 3647564028
- ↑ Jan Roh (editor). Ein Gesangbuch der Brüder inn Behemen vnd Merherrn. Bohemian Brethern, 1544, p. LXXX
- ↑ Werner Braun. Thöne und Melodeyen, Arien und Canzonetten: Zur Musik des deutschen Barockliedes. Walter de Gruyter, 2004. ISBN 3110940345, p. 254
- ↑ Stephen A Crist. "BWV 48/3: Chorale", pp. 66–75 in Historical Musicology: Sources, Methods, Interpretations. Boydell & Brewer, 2004. ISBN 1580461115
- ↑ Gottfried Lebrecht Richter. Allgemeines biographisches Lexikon alter und neuer geistlicher Liederdichter. Gottfried Martini, 1804, p. 37
- ↑ Zahn, Johannes (1889). Die Melodien der deutschen evangelischen Kirchenlieder, Vol. I: Zweizeilige bis fünfzeilige Melodien (in German). Gütersloh: Bertelsmann. pp. 322–323.
- ↑ Clemens Harasim. "Vopelius, Gottfried" in Sächsische Biografie, edited by Martina Schattkowsky. Institut für Sächsische Geschichte und Volkskunde, 17 June 2005.
- ↑ Work 01481 at Bach Digital website
- ↑ BWV2a (1998), p. 468
- ↑ Luke Dahn. BWV 281 at bach-chorales
.com , 2017 - ↑ Leaver, Robin A. (2013). "Bach's Mass: 'Catholic' or 'Lutheran'?". In Tomita, Yo; Leaver, Robin A.; Smaczny, Jan (eds.). Exploring Bach's B-minor Mass. Cambridge University Press. pp. 21–38. ISBN 978-1-107-00790-1, footnote 30, pp. 30–31
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- ↑ Das Vollständige und vermehrte Leipziger Gesang-Buch. Leipzig: Barnbeck, 1729
- ↑ Das Vollständige und vermehrte Leipziger Gesang-Buch. Leipzig: Barnbeck, 1733
- ↑ Carl Gottlob Hofmann. Das privilegirte Vollständige und vermehrte Leipziger Gesang-Buch. Leipzig: Barnbeck, 1752
- ↑ Carl Gottlob Hofmann. Das privilegirte Vollständige und vermehrte Leipziger Gesangbuch. Leipzig: Barnbeck, 1758
- ↑ Carl Gottlob Hofmann. Das privilegirte Vollständige und vermehrte Leipziger Gesang-Buch. Leipzig: Barnbeck, 1767