Musikalische Exequien | |
---|---|
Funeral music by Heinrich Schütz | |
Catalogue | SWV 22 to 47 |
Opus | 7 |
Text | compiled by Henry II, Count of Reuss-Gera |
Language | German |
Dedication | Henry II, Count of Reuss-Gera |
Scoring | soloists, choir, continuo |
Musikalische Exequien, Op. 7, SWV 279–281, is a sacred funeral music that Heinrich Schütz wrote in 1635 or 1636 for the funeral services of Count Henry II, Count of Reuss-Gera, who had died on 3 December 1635. It is Schütz's most famous work of funeral music.[1]
It comprises three sections:
- Concert in Form einer teutschen Begräbnis-Messe
- Motet Herr, wenn ich nur Dich habe
- Canticum Simeonis Herr, nun lässest du deinen Diener
Henry II had planned the service himself and chose the texts, some of which are scriptural and others of which are from 16th-century Lutheran writers, including Martin Luther himself. He commissioned Schütz to compose the music on the occasion of his death.
Part I, by far the longest part of the work, is scored for SSATTB (2 sopranos, alto, 2 tenors, bass) chorus alternating with small ensembles of soloists. Part II is scored for double choir SATB SATB, and Part III is written for SATTB choir and a trio of soloists. All movements are accompanied by basso continuo.
The work was known to Brahms, as it is thought that he owned a copy of the score;[2] his German Requiem is remarkably similar in content.
The work was the first requiem in the German language.[3]
Recordings
There have been many recordings, making the Exequien the most recorded work of 17th-century German vocal music, including:
- Heinrich Schütz Choir, Munich, conducted by Karl Richter (Archiv Produktion, 1955)
- Dresdner Kreuzchor, conducted by Rudolf Mauersberger (Berlin)
- Westfälische Kantorei, conducted by Wilhelm Ehmann (Cantate)
- Chiaroscuro , conducted by Hans-Martin Linde (EMI)
- Knabenchor Hannover, conducted by Heinz Hennig (Ars Musici)
- Vassil Kazandjiev (Forlane)
- The Schutz Academy, conducted by Howard Arman (Berlin)
- Chapelle Royale, conducted by Philippe Herreweghe (Harmonia Mundi)
- Monteverdi Choir, conducted by John Eliot Gardiner, (Archiv Produktion)
- Alsfelder Vokalensemble, conducted by Wolfgang Helbich (Naxos)
- Weser Renaissance Bremen, conducted by Manfred Cordes (cpo)
- Motettenchor Stuttgart, conducted by Günter Graulich (Carus)
- Cappella Augustana, conducted by Matteo Messori (Brilliant Classics)
- La Chapelle Rhénane, conducted by Benoît Haller (K617)
- Akadêmia, conducted by Françoise Lasserre with La Fenice, conducted by Jean Tubéry (Pierre Verany/Arion)
- American Bach Soloists, conducted by Jeffrey Thomas (own label)
- Vox Luminis, conducted by Lionel Meunier (Ricercar) - winner of Gramophone Awards 2012
- Dresdner Kammerchor, conducted by Hans-Christoph Rademann (Carus)
- La Petite Bande, conducted by Sigiswald Kuijken (Accent)
- Stuttgart Hymnus Boys Choir, conducted by Rainer Johannes Homburg & Musica Fiata, conducted by Roland Wilson (MD&G)
- The Sixteen & The Symphony of Harmony and Invention, conducted by Harry Christophers (CORO)
- La Chapelle Vocale of Lausanne University, conducted by Jean-Christophe Aubert (Gallo)
References
- ↑ Haar, James (2014). European Music, 1520-1640. Boydell & Brewer Ltd. p. 365. ISBN 978-1843838944.
- ↑ nicotano (5 October 2021). "Heinrich Schütz – Musikalische Exequien". diesis&bemolle (in Italian). Retrieved 20 April 2023.
- ↑ The Editors of Encyclopædia Britannica (26 December 2015). "Heinrich Schutz". Encyclopædia Britannica. Retrieved 27 December 2015.
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has generic name (help)
- Wolff, Christoph (2005). "Bible and Hymnal in Johann Sebastian Bach's Music". In Carl Schalk; Carlos R. Messerli (eds.). Thine the amen: essays on Lutheran church music in honor of Carl Schalk. Kirk House Publishers. p. 112. ISBN 1-932688-11-0.
External links
- Live performance by Michael Stenov with the Cantores Carmeli, 26 November 2006
- Free scores by Musikalische Exequien in the Choral Public Domain Library (ChoralWiki)
- Musikalische Exequien: text, analysis etc. at heinrich-schuetz-haus.de
- Text