Matei Vișniec
Matei Vișniec (2012)
Matei Vișniec (2012)
Native name
Matei Vișniec
Born (1956-01-29) 29 January 1956
Rădăuți, Suceava Region, Romanian People's Republic
Occupationplaywright, poet, novelist
LanguageRomanian, French
NationalityRomanian
CitizenshipRomanian
French[1]
Alma materUniversity of Bucharest
Period1975–1980
Genrepostmodernism[2]
Years active1977–
Notable worksThe Body of a Woman as a Battlefield in the Bosnian War
The Story of the Panda Bears told by a Saxophonist who has a Girlfriend in Frankfurt
Notable awards2007, 2002 and 1999 – Drama Award of the Romanian Writers' Union
1998 – Drama Award of the Romanian Academy
2009, 2008, 1996 and 1995 – Press Avignon-Off Award
1991 – Award of the Romanian Theatrical Society for "Clown Wanted", the best play of the year
European Award of The French Society of Dramatic Authors and Composers (SACD)
SpouseAndra[2]
Childrenone daughter[2]
Website
www.visniec.com

Matei Vișniec (Romanian pronunciation: [maˈtej viʃˈnjek]; born 29 January 1956 in Rădăuți) is a Romanian-French playwright, poet and journalist living in Paris.

He is internationally known especially for his writings in the French language.

He graduated in 1980 from the History and Philosophy Faculty of the University of Bucharest.[2] Between 1977 and 1987 he wrote 8 plays in two or three acts, about twenty short plays, and some screenplays, but all were turned down by the censors.[2] In 1987 he was invited to France by a literary foundation, and he asked for political asylum. Between August 1988 and October 1989 he lived in London, where he worked for the Romanian section of the BBC.[2]

After settling down in France, he has been writing mostly in French, and has received French citizenship. After the fall of communism in Romania, in 1989, Matei Vișniec became one of the most performed playwrights in the country, with more than 30 plays put on in Bucharest and other towns. In 1996 the National Theatre of Timișoara organized a Matei Vișniec Festival with 12 companies presenting his plays. His international audience as a playwright started in 1992, with the play Horses at the Windows performed in France, and Old Clown Wanted at the "Bonner Biennale".

Since then, Vișniec has had more than 20 plays performed in France (Théâtre Guichet Montparnasse, Studio des Champs-Elysées, Théâtre du Rond-Point des Champs Elysées – Paris, Théâtre de l'Utopie – La Rochelle, Compagnie Pli Urgent – Lyon, Théâtre Le Jodel – Avignon, Théâtre de Lenche and Théâtre de la Minoterie – Marseille, Compagnie Nice-Théâtre Vivant – Nice, etc.). Old Clown Wanted has been performed in: France, Germany, United States, Denmark, Austria, Poland, Finland, Italy, Turkey, Brazil, Romania, Azerbaijan, Moldavia, and Georgia.[3]

He is working as a journalist at Radio France Internationale.[1]

Writings

Poetry

  • La noapte va ninge ("Tonight It Will Snow"), Bucharest, Alb., 1980
  • Orașul cu un singur locuitor ("The Town With a Single Inhabitant"), Bucharest, Alb., 1982
  • Înțeleptul la ora de ceai ("The Sage at the Tea Hour"), Bucharest, Cartea Românească, 1984. ISBN 9789738475540
  • Poeme ulterioare ("Subsequent Poems") (1987–1999), Bucharest, Cartea Românească, 2000

Prose

  • Cafeneaua Pas-Parol, novel, Bucharest, FCR, 1992

Plays in Romanian

  • Ţara lui Gufi ("Gufi's Land", three-act play), Bucharest., IC, 1991
  • Angajare de clovn ("Hiring a Clown", published in the same volume as Evangheliștii by Alina Mungiu), foreword by Marian Popescu, Bucharest., Ed. Unitext, 1993
  • Teatru, vol. I-II, foreword by Valentin Silvestru, Bucharest, Cartea Românească, 1996 1991–1995)

Plays in French

  • Personne n’a le droit de traîner sans armes sur un champ de bataille, 1991
  • Le marchand de temps, 1992
  • Les partitions frauduleuses, 1993
  • Hécatombéon, 1993
  • Théâtre décomposé ou L’homme-poubelle, 1993
  • La grammaire du silence, 1994
  • Trois nuits avec Madox, 1994
  • L’histoire des ours pandas racontée par un saxophoniste qui a une petite amie à Francfort, 1994
  • Cils interdits pendant la nuit, 1995
  • Paparazzi ou la chronique d’un lever de soleil avorté, 1995
  • Comment pourais-je être un oiseau?, 1996
  • Du sexe de la femme comme champ de bataille dans la guerre en Bosnie, 2019
  • Jeanne et le feu, 2009/2019

Style

Literary critic Alex Ștefănescu considers his plays to be "bizarre, unclassifiable".[4]

References

  1. 1 2 "Matei Vișniec, Doctor Honoris Causa al Universității "Ovidius" Constanța". 7 October 2014. Retrieved October 24, 2014.
  2. 1 2 3 4 5 6 Ștefănescu, Alex. (2003). "Matei Vișniec". Romania literara. Archived from the original on October 24, 2014. Retrieved October 24, 2014.
  3. ↑ "Matei Vișniec". Retrieved October 24, 2014.
  4. ↑ Ștefănescu, Alex. (2003). "Matei Vișniec". Romania literara. Archived from the original on October 24, 2014. Retrieved October 24, 2014.
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