The Master of the Tennenbach Altar (fl. 1420–30), sometimes referred to as the Master of the Staufen Altar (German: Meister des Tennenbacher Altars; Meister des Staufener Altars), was a Gothic painter active in the Upper Rhine in the second quarter of the 15th century whose real name is unknown. His working name is taken from the altar paintings he created, formerly in Tennenbach Abbey, a Cistercian monastery in the Black Forest in Baden-Württemberg, Germany. The work is also sometimes mistakenly known as the Staufen Altar from its supposed later location in Staufen im Breisgau.[1]

15 small panels survive of a presumed 16, 12 in the Augustinermuseum in Freiburg and three in the Staatliche Kunsthalle in Karlsruhe. They depict scenes from the Passion and from the Life of Mary.

The work is dated to around 1430 and is often compared to the work of the Master of the Upper Rhine, formerly known as the Master of the Garden of Paradise.[2] The Master of the Tennenbach Altar appears also to be linked stylistically with Jost Haller, a painter who was active up to about 1485 in Strasbourg and Saarbrücken.[3] Like Haller he still uses the "soft style", as it is called, of International Gothic art, but also shows the influence of contemporary Dutch Gothic painting, as for example the works of Robert Campin and his pupil Rogier van der Weyden which show the beginnings of realistic depiction of detail.[4] Characteristic of the figures in the paintings of the Master of the Tennenbach Altar are their "almost childishly soft features".[5]

Notes and references

  1. ↑ Daniel Hess: Der sogenannte Staufener Altar und seine Nachfolge: Zur oberrheinischen Malerei um 1450 in Begegnungen mit den alten Meistern, etc, (eds. Kammel and Gries), Nuremberg 2000
  2. ↑ "Frankfurt Garden of Paradise, Master of the" in Grove Encyclopedia of Medieval Art and Architecture, p. 617, Volume 1 (ed. Colum Hourihane), OUP 2012 (online version)
  3. ↑ cf. C. Sterling: Jost Haller - Maler zu Straßburg und zu Saarbrücken in der Mitte des 15. Jahrhunderts in Wiener Jahrbuch für Kunstgeschichte Bd. 33 (1980) pp. 99–126
  4. ↑ Spätmittelalter am Oberrhein. Maler und Werkstätten 1450 – 1525. Band 1: Katalogband (zur Großen Landesausstellung Baden-Württemberg, Staatliche Kunsthalle Karlsruhe, September 2001 – Februar 2002). Stuttgart, Jan Thorbecke Verlag 2001
  5. ↑ German: fast kindlich weichen Züge, from Meister des Tennenbacher Altars: Kreuzigung, Landeskunde Oberrhein, Zentrale für Unterrichtsmedien im Internet e.V., accessed September 2018
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