Growing up

Marilyn Duke learned to sing in a choir at her church, likely the Macedonia Baptist Church in Jackson, Georgia, a suburb of Atlanta. Though, according to a 1995 interview (the year she died) in the Atlanta Constitution, at an early age, she preferred the gospel music of a nearby black church.^[5]

Atlanta radio career

In 1933, under the product brand pseudonym of "Miss Seiberling," Duke performed on broadcast radio WGST, Wednesdays, 7:15 pm. The radio name was that of the Seiberling Rubber Company, a national tire manufacturer distributed by the Brooks-Shatterly Company, Inc., of Atlanta.^{[6][lower-alpha 4]} In 1934, Duke, under her birth name, Manfrey Duke, sang regularly on WSB radio in Atlanta.^[7]

New York radio career

After winning a radio audition contest around 1934, Duke headed to New York City,^[3] where, from December 30, 1934, to 1936 (and later), she sang regularly on NBC radio and the Mutual Broadcasting Company. She was billed as a blues singer and contralto. Her radio broadcasts included performances with the orchestras of Leon Brusiloff (1898–1973) and his brother Nathan Brusiloff (1904–1951)^{[lower-alpha 5]} and Paul Whiteman.^[1] In 1935, her broadcast performances were sometimes with The Charioteers, a male choral quartet. Beginning December 30, 1934, Duke sang on WOR two or three times a week – typically Tuesdays, Thursdays, and Saturdays at 5:15 pm. She sang 15-minute segments, usually. The WOR broadcasts were carried on the Mutual Network.

Early dance orchestra career

From Mid to late-1930s, Duke, as vocalist, was the star attraction for Manny Gates (né Emanuel Getzholtz; 1894–1957) Orchestra in Miami^{[8][lower-alpha 6]} She joined Jolly Coburn's (né Frank Harry Coburn; 1900–1964)^{[9][lower-alpha 7]} Orchestra, a society band, around July 1937^{[lower-alpha 8]} after playing a piano stint at a Boston nightclub. Duke also sang with the Shep Fields Orchestra in 1937 (in Philadelphia).^[10][11]

Joined Vaughn Monroe's Orchestra in 1940

On New Year's Eve 1940, at age twenty-four – 11 months, 2 weeks and 5 days after the death of her father – Duke debuted with the Vaughn Monroe Orchestra at the Statler Hotel Boston, eight months after Monroe founded the orchestra. Her father died January 8, 1940, of injuries as a pedestrian struck by a truck.^[12] Monroe formed his orchestra April 1940 in Miami at the urging and sponsorship of band agent Willard Alexander (1908–1984)^{[lower-alpha 9]} and New England–based band leader Jack Marshard (né Jacob Marshard; 1910–1948), who saw an opportunity when offered two simultaneous bookings.^[13] Marshard became his manager. Marylin Duke was Monroe's first female vocalist.^[14] She had been working as a pianist-singer at a Boston nightclub; but because an infected finger interrupted her playing, she auditioned for Vaughn Monroe and was promptly signed.^[15] Her notoriety rose rapidly during her tenure with Vaughn Monroe and his Orchestra as a featured singer.

Departure from Vaughn Monroe's Orchestra in 1943

She left the Monroe Orchestra around June 1943 to join the WAAC,^[16] but instead, continued performing, which included a two-month stint with Tommy Dorsey. That same year (1943), Duke also sang with Will Osborne and His Orchestra. Filling the void, Monroe hired Phyllis Lynne^{[lower-alpha 10]} July 31, 1943, in Los Angeles, to replace Duke. Monroe gave Lynne her East Coast debut on September 14, 1943, in New York City at the Paramount.

Rejoined Vaughn Monroe's Orchestra in 1944

Around June 1944, Duke began a 10-week solo engagement at the Frolic Club (aka, the Frolic Theatre Restaurant),^{[lower-alpha 11]} in Revere, Massachusetts, at 155 Revere Beach Boulevard.^{[Billboard 2]} But, apparently before finishing, she was back with Vaughn Monroe by mid-July 1944, replacing Del Parker.^{[17][lower-alpha 12][Billboard 3]} In September 1944, she married Peter O'Brien, a Boston amusement park owner.^[18]

She then permanently left the orchestra around January 1945.^[19] Yet, on April 14, 1945, Vaughn Monroe and His Orchestra featured Duke, with Bobby Ricky, in Dayton, Ohio, at the Lakeside Park Ballroom.

A large part of Vaughn Monroe's repertoire featured the singing of Monroe, himself, as well as Marilyn Duke, Ziggy Talent,^{[lower-alpha 13]} The Murphy Sisters, and The Moonmaids.

On and off solo career

In December 1945, she was performing at the Music Box in Boston.

Polls

• 1942: Billboard's "Collegiate Choice of Female Vocalists," Duke received votes for first and second choice.^{[Billboard 4]}
• April 12, 1942: A swing magazine presented Marilyn Duke with an award during Vaughn Monroe's final performance, after a long engagement, at the Commodore Hotel in New York^{[Billboard 5]}
• The February 1942 issue of Big Song Magazine, Vol. 2, No. 2 (OCLC 19509187), Vaughn Monroe, Marilyn Duke, and Sammy Kaye were on the cover.
• In January 1945, Duke's rendition of "The Trolley Song," became a top-ten hit. That song, and the one on the flip side, "The Very Thought of You," were recorded Sunday, November 12, 1944, at Victor's studio in New York, 18 hours after the 27-month Petrillo Ban had been lifted. The session represented Victor's first since the ban. Both songs were pressed and on sale only 24 hours later. Victor Victor distributed 160,000 copies throughout the country before the week was out.^{[20][Billboard 1][lower-alpha 14][Billboard 6]}

Jolly Coburn and His Orchestra

Wally Bishop (pseudonym of Jolly Coburn) and His Band

Vaughn Monroe and His Orchestra on Bluebird^[23]

Vaughn Monroe and His Orchestra on Victor

Miscellaneous

• Vaughn Monroe became the host for a radio show sponsored by Camel Cigarettes. Beginning July 1942, Monroe and his Orchestra aired 30 minutes, Monday's, at 8:30, Eastern time, on CBS Radio from the Rhodes Ballroom, Providence, Rhode Island. According to Marilyn Jean Howell (née Vaughn) — Marilyn Duke's maternal 1st cousin who cared for her during the last five years of her life – Duke was a chain smoker of Camel Cigarettes.

General notes and resources

Inline notes

Inline citations

Inline citations from Billboard

(1940–2010 archived online by Google Books)