Bernard Lorjou (9 September 1908 – 26 January 1986) was a French painter of Expressionism and a founding member of the anti-abstract art Group "L'homme Témoin".
Bernard Lorjou | |
|---|---|
| Born | 9 September 1908 |
| Died | 26 January 1986 (aged 77) Saint-Denis-sur-Loire, France |
| Nationality | French |
| Known for | painting, drawing, printmaking, sculpture |
| Notable work | The Wildcat Hunt (1948) The Atomic Age (1949) The Massacres of Rambouillet (1957) |
| Movement | Expressionism, Homme Temoin |
| Awards | Prix de la Critique, 1948 First Prize at the Venice Biennial, 1952 |
Early life
Lorjou was born in Blois, in the Loir-et-Cher department of France, in 1908, the youngest of 3 children.[1] Born to an impoverished family just before World War I, Lorjou was to receive the bulk of his education, as he put it, "in the streets." At the age of 13, with his desire to learn to paint, he left his home for Paris. There, Lorjou lived through early years of hardship and often found himself sleeping in metros and the Gare d'Orsay[1] while working without pay as an errand boy for a printing house.
He eventually found a position as a designer at the silk house Ducharne where he met his future wife Yvonne Mottet, also an artist and painter.[1] Lorjou found success as a silk designer. Over the next 30 years, his designs not only adorned the bodies of many of the world's most prominent women but also provided him an income that allowed him to paint on a full-time basis.
Painting
During travels through Spain in 1931, he was struck by the expressive strong styles of the artists El Greco, Velasquez, and most of all Goya.[1] Inspired by Goya, Lorjou began painting socio-political events.
In 1942, at the Salon des Indépendents, Lorjou exhibited his work for the first time. He held his first solo exhibition in 1945 at the Galerie du Bac. In 1946, he appeared in an exhibition with Georges Rouault, Chaïm Soutine, and James Ensor.[1]
In 1948, he shared the Critic’s Award with Bernard Buffet.[2] In the same year, with art critic Jean Bouret, Lorjou formed the art group "l’Homme Temoin"[1][3] with art critic Jean Bouret by declaring that "man is an eater of red meat, fried potatoes, fruit and cheese".[4] The group banded together in an effort to defend figurative painting against the abstract movement and would eventually attract other painters such as Bernard Buffet, Jean Couty, André Minaux, Robert Charazac, and Simone Dat.[1]
Over the next 30 years, Lorjou’s reputation as a painter became more established, though his style went through a series of transformations. Lorjou was supported by prominent art figures like Georges Wildenstein and Domenica Walter, the widow of Paul Guillaume. In 1969, he created a series of paintings about the murder of Sharon Tate by members of the Manson Family. His exhibition of these paintings toured through France, Belgium, and Japan.[1]
On 26 January 1986, at the age of 77, Lorjou died from an acute asthma attack at his home in Saint-Denis-sur-Loire.[1]
Lorjou’s body of work includes thousands of paintings, a collection wood engravings, ceramic and bronze sculptures, lithographs, illustrated books, socially oriented posters, stained glass windows, and murals.
Theme exhibitions (selection)
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Commissioned works
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See also
- Un Regard de Lumière, Lorjou, a 1983 film by Olivier Girard
References
- 1 2 3 4 5 6 7 8 9 Lorjou, Bernard. "Chronology". Bernard Lorjou Estate. Retrieved 4 August 2023.
- ↑ Cornell, Kenneth. "The Buffet Enigma." Yale French Studies, no. 19/20, 1957, pp. 94–97. JSTOR, https://doi.org/10.2307/2930427. Accessed 4 Aug. 2023.
- ↑ Osborne, Harold, editor. The Oxford Companion to Twentieth-Century Art. Oxford University Press. 1988.
- ↑ www.the-artists.org/
- Gerard, Georges. Lorjou, le peintre du siecle (Collection Les Temoins de l'histoire). France: Publisud, 1989.
- Crespelle, J.P. “LORJOU, Dernier Grand de la Butte.” Montmartre Vivant. Ed. Hachette. France: Hachette, 1964. 249-273.