| Law Speed | |
|---|---|
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| Studio album by | |
| Released | April 2004 |
| Recorded | February 10–20, 2003 |
| Genre | Rock, Post-Rock |
| Length | 43:35 |
| Label | Wallace Records, Ruminance records, Klangbad |
| Producer | Olivier Manchion |
Law Speed is the first album by French/Italian post-rock band Permanent Fatal Error, a project by Olivier Manchion, founder member of the band Ulan Bator. The album was recorded in Italy at URS studio (Villa Minozzo, Emilia-Romagna).
Track listing
- "|||" – 0:06
- "A Pic" – 3:59
- "Nord" – 3:24
- "BLU" – 5:18
- "B#Side <part1" – 2:23
- "B#Side _part2_" – 4:24
- "B#Side part3>" – 2:13
- "Low.Law.Speed – 9:58
- "Sunflowers" – 5:39
- "Deaf.Blues" – 0:44
- "Treep" – 5:29
Musicians
Olivier Manchion : acoustic-guitar, bass, loops, slide, bass-organ, e, voice
Giulio C. Vetrone : snake-guitar, wave-guitar, bell-guitar, triangle, voice
Nicolas Marmin : bass, electronics, distorgan, voice
Francesco Billét : drums, egg, bell, 123
Guested musicians
Massimo Guidetti: Trumpet (B#Side _part2_)
Bi: Vocals (B#Side _part2_)
About "Law Speed"
AVANT GARDE FESTIVAL 2005/Jean-Hervé Péron: Permanent Fatal Eror is Olivier Manchion's solo project. Manchion is a founding member of Ulan Bator, a long standing member of the current faust line-up, bass player on Damo Suzuki's "Hollyaris" CD and very active as a solo performer. With his solo project he can present the more quiet aspects of his musical work, smoothe backgrounds, lightly dotted guitar sounds, equally inspired by Jazz and Rock elements. He is one of the creators of the new genre "Post-Jazz-Rock" (Arte). Manchion playfully manages the jump from" underground" to main feature. The French/German TV station Arte pays an ununsual hommage to his music: "Music hasn't been as filigree, as harmonic and at the same time as varied and clearly composed as by Permanent Fatal Error
source: http://2006.avantgardefestival.de/
Recommended Records/Chris Cutler: Another CD from Wallace, who seem to have uncovered a hidden Valley full of groups that play instruments and remind one of the attitude (though not necessarily the music) of the best of the early 70s experimentalists. Here Bass, 2 Guitars and Drums evolve a slow, minimal, rhythmically centred - Faust meets the Necks - programme that is both unusual and assured. Interesting