Killer McCoy
Directed byRoy Rowland
Screenplay byFrederick Hazlitt Brennan
Story byGeorge Bruce
Thomas Lennon
George Oppenheimer
Produced bySam Zimbalist
StarringMickey Rooney
Brian Donlevy
Ann Blyth
CinematographyJoseph Ruttenberg
Edited byRalph E. Winters
Music byDavid Snell
Production
company
Distributed byLoew's Inc.
Release date
December 1947
Running time
104 minutes
CountryUnited States
LanguageEnglish
Budget$1,402,000[1]
Box office$3,191,000[1]

Killer McCoy is a 1947 American sports drama film about a boxer starring Mickey Rooney. It is a remake of The Crowd Roars (1938). The picture was directed by Roy Rowland with a supporting cast featuring Brian Donlevy, Ann Blyth, James Dunn, Tom Tully, and Sam Levene.

Plot

Tommy McCoy is a tough city boy, who makes money as a pool hustler and street newsboy, while his father, a former song-and-dance man, wastes the family's money on drink while waiting for vaudeville to come back. Performing with his father at a charity amateur boxing event sponsored by local priest Father Ryan, Tommy sees a chance to get even with a rival newsboy and climbs into the ring. His success catches the attention of champion boxer Johnny Martin and leads to a slow but steady climb in professional boxing as Tommy puts on weight and muscle and qualifies for lightweight matches.

Eventually, Tommy is matched in a fight against Martin, who is now unhealthy and out of shape after several years out of the ring. Tommy is reluctant to fight and holds back his more powerful right hand in the contest, but when he knocks Martin out with his left hand, it leads to Martin's death. Though tried for manslaughter, Tommy is acquitted but earns the nickname "Killer." Bookmaker Jim Caighn sees an opportunity and buys Tommy's contract from his father, who is heavily in debt to Caighn. The gambler directs Tommy to hold back his right hand until late in each match. The ruse persuades other gamblers that Tommy has little chance of winning, increasing the odds for Caighn, who supports Tommy and his father in secret..

While training at a Connecticut estate, Tommy meets Sheila Carson, who turns out to be Caighn's daughter, apparently unaware of her supposedly respectable father's gambling activities under a different name. Ignoring Caighn/Carson's warnings, Tommy continues to see the young woman, who is attracted to him despite the brutality of his sport. Tommy talks with her about his plans to leave boxing behind, perhaps to become a sports writer. Eventually Cecil Walsh, one of Caighn's major "suckers" who has been betting against Tommy in matches, discovers that Tommy works for Caighn and that Sheila is the bookie's daughter. Kidnapping Sheila and Tommy's father, Walsh forces Tommy to agree to lose in the eighth round of an upcoming championship fight, on which Walsh has placed a large bet.

Tommy goes through with the fight, allowing himself to be beaten in round after round. In the meantime, Tommy's father manages to free himself and Sheila from the kidnappers, but only she manages to escape when Tommy's father and the gangsters shoot each other. Sheila races to the boxing arena, where she is confronted by her father. Just before the next round, though, Caighn has been persuaded by Sheila and lets Tommy know that Sheila is now safe. Tommy goes into the next round and wins. At the end of the match, he announces that he is giving up boxing and reunites with Sheila, now with her father's blessing.

Cast

Production

MGM announced the film in March 1947. Mickey Rooney had intended to appear in a biopic of jockey Tod Sloan but when that was postponed MGM put him in this. Cyril Hume wrote the script and Sam Zimbalist was assigned to produce.[2] It was a conscious decision on MGM's part to try Rooney in a different sort of role.[3] Elizabeth Taylor was announced as his costar.[4] In May Frederick Hazlitt Brennan signed to write the script.[5] By June, Taylor had been replaced by Ann Blyth due to script revisions that changed the age of her character.[6]

Reception

Box office

The film was a hit, earning $2,201,000 in the US and Canada and $990,000 elsewhere[1] making a profit of $768,000.[7][8]

See also

References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. ↑ "FELDMAN, REPUBLIC IN NEW FILM DEAL: Producer and Studio Sign Pact for Two Pictures--Hecht and Steinbeck Stories Involved" By THOMAS F. BRADY Special to THE NEW YORK TIMES. 6 Mar 1947: 36.
  3. ↑ 'Caballero' McCarthy Follows Truman South of Border By Louella O. Parsons. The Washington Post 16 Mar 1947: S5.
  4. ↑ "Looking at Hollywood" Hopper, Hedda. Chicago Daily Tribune 9 Apr 1947: 26.
  5. ↑ "LEWIS, CLARK FILM SCHEDULED BY RKO: Studio Plans Production on Expedition to Oregon in 1805 -- Pascal Author" By THOMAS F. BRADY Special to THE NEW YORK TIMES. 2 May 1947: 28.
  6. ↑ "U-I WILL DO FILM OF 'ALL MY SONS': Studio Acquires Rights to Play by Arthur Miller -- Erskine Writing Screen Story" By THOMAS F. BRADY Special to THE NEW YORK TIMES. 19 June 1947: 27.
  7. ↑ Scott Eyman, Lion of Hollywood: The Life and Legend of Louis B. Mayer, Robson, 2005 p 401
  8. ↑ "Top Grossers of 1948", Variety 5 January 1949 p 46
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