Jessie Keppie | |
---|---|
Born | Jessie Keppie 1868 Glasgow, Scotland |
Died | 1951 (aged 82–83) Prestwick, Scotland |
Nationality | Scottish |
Education | Glasgow School of Art |
Known for | Decorative Arts, Design, Art |
Movement | Glasgow Style |
Awards | Lauder Prize, 1930[1] |
Jessie Keppie (1868-1951) was an artist from Glasgow, Scotland, described as one of the "leading women proponents of the Glasgow Style".[2]
Biography
Keppie was born in 1868. Her mother was named Helen Cuthbertson (born Hopkins) while her father, James Keppie imported and sold tobacco. In 1888 she was the fourth member of her Glasgow family to study at the Glasgow School of Art following her siblings. Jane, Helen and John Keppie. She created a Persian carpet which took a silver medal in the National Competition during her second year of study in 1889.[1][3]
In 1902, Keppie took part in the Scottish National Exhibition in Edinburgh. She performed in an allegorical and historical Arthurian masque created by Jessie M King and Mrs Allan D Mainds. Other participants in this event were the artists James Craig Annan, Agnes Raeburn, and Margaret Macdonald.[4] Also in 1902, Keppie joined the Glasgow Lady Artists' Club and served as their Treasurer during 1922 and as the Club's President from 1928 to 1931.[5]
Keppie was a member of the informal group of artists known as "The Immortals", which also included Agnes Raeburn, Margaret Macdonald Mackintosh, Jessie Newbery, Ruby Pickering, Katharine Cameron, Janet Aitken and Frances McNair.[2]
She was a suffragist, subscribing to the Glasgow and West of Scotland Association for Women's Suffrage.[6]
Personal life
Keppie is reported to have been engaged to Charles Rennie Mackintosh, who broke off the engagement in favour of a relationship with Margaret Macdonald Mackintosh.[2][7] Others have suggested that it was not an engagement, rather an informal "understanding".[8]
Works
- Autumn (1894)[9]
- Pansies (1895)[10]
- Dog Roses (1899)[11]
- A sunlit courtyard, Generalife, Grenada (1909)[12]
- Chateau Gilliard[13]
- Gathering Firewood[14]
- The budding rose above the rose full blown[15]
- Pink geraniums and a butterfly[16]
- Pink carnations[17]
- Honeysuckke[18]
- Fuchsia[19]
- Summer garden[20]
- Ostend[21]
- The road to the farm[22]
References
- 1 2 3 Peter J.M. McEwan (1994). The Dictionary of Scottish Art and Architecture. Antique Collectors' Club. ISBN 1-85149-134-1.
- 1 2 3 Burkhauser, Jude (1990). Glasgow Girls: Women in Art and Design 1880 - 1920.
- ↑ "Jessie Keppie". Glasgow School of Art. Retrieved 10 December 2018.
- ↑ The Scotsman. 11 June 1908.
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(help) - ↑ David Buckman (2006). Artists in Britain Since 1945 Vol 1, A to L. Art Dictionaries Ltd. ISBN 0-953260-95-X.
- ↑ Annual report of the Glasgow and West of Scotland Association for Women's Suffrage. 1916–1917.
- ↑ Paul Harris & Julian Halsby (1990). The Dictionary of Scottish Painters 1600 to the Present. Canongate. ISBN 1-84195-150-1.
- ↑ Calvert, Robyne (20 February 2018). "Immortals, Beloved?". Retrieved 9 December 2018.
- ↑ "Jessie Keppie, Autumn". Retrieved 5 January 2019.
- ↑ "Pansies". Mutual Art. Retrieved 9 December 2018.
- ↑ "Dog Roses". The Saleroom. 29 October 2014. Retrieved 9 December 2018.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Chateau Gilliard". Mutual Art. Retrieved 9 December 2018.
- ↑ "Gathering Firewood". Mutual Art. Retrieved 9 December 2018.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.
- ↑ "Artprice". Retrieved 5 January 2019.