Guns Don't Argue | |
---|---|
Directed by | Bill Karn & Richard Kahn |
Screenplay by | William Faris; Phillips Lord |
Produced by | William Faris |
Starring | Myron Healey Jean Harvey Paul Dubov Sam Edwards Richard Crane Lash LaRue |
Cinematography | Clark Ramsey |
Edited by | Robert T. Spar |
Music by | Paul Dunlap |
Production company | Visual Drama Inc. |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Guns Don't Argue is a 1957 low-budget feature film about the early achievements of the FBI in defeating the most notorious criminals of the 1930s. The film involves dramatizations of the crimes and eventual demise of various gangsters, along with a moralistic narrative. It was edited together from a composite of three episodes from the 1952 TV series Gangbusters.
Production
The film was released to theatres in 1957 as a feature produced by William Faris, directed by Bill Karn & Richard Kahn.
A similar film, Gang Busters (1954), was also originally based on the dramatic radio program first titled G-Men, which premiered on July 20, 1935. The title was changed to Gang Busters on January 15, 1936.
Plot
The film takes the form of a docudrama in which actors who are cast as FBI Special Agents speak to camera about the war on gangsters in the mid-1920s through the late-1930s. Using contacts with gun molls, agents track down criminals. The film dramatizes the crime careers, and final capture or deaths of John Dillinger, the Barker Gang (Ma Barker, Fred Barker, Arthur Barker, Alvin Karpis), Bonnie and Clyde, Homer Van Meter, Doc Barker and Pretty-Boy Floyd. The "docudrama" does not portray events, many situations, or the FBI Special Agents accurately. For instance, the name of the FBI Special Agent who was killed in the Kansas City Massacre on June 17, 1933 was Raymond J. Caffrey, and it was not his first day with the FBI. Names of all FBI Special Agents who have been killed in the line of duty may be found on the FBI Hall of Honor.
Portrayal of events
The film is a revisionist docudrama, portraying the war on gangsters in the mid-1920s through the late-1930s from a pro-FBI point of view. Most notable is the portrayal of the deaths of Bonnie and Clyde and John Dillinger. The scenes show each firing off the first shot, and having ample time to "give themselves up", when in fact they were gunned down in an ambush by the police and Federal agents.
The movie is greatly admired by Martin Scorsese, who has said, "It's an amazing film. It's to be studied, because it shows you how to make a film on a low budget".[1]
Cast
- Jim Davis as Texas Ranger Captain Stewart/Narrator
- Lyle Talbot as Dr. William Guellfe, plastic surgeon
- Lash LaRue as 'Doc' Barker
- Richard Crane as Homer Van Meter
- Myron Healey as John Dillinger
- Ann Morriss as Mildred Jaunce, The Lady in Red
- Sam Edwards as Fred Barker
- Paul Dubov as Alvin Karpis
- Baynes Barron as Clyde Barrow
- Tamar Cooper as Bonnie Parker
- Regina Gleason as Hope
- Knobby Schaeffer as Adam Richetti
- Jeanne Carmen as Paula
- Aline Towne as Shirley, girl with Karpis
- Doug Wilson as 'Pretty Boy' Floyd
- Robert Kendall as Baby Face Nelson
- Jean Harvey as 'Ma' Barker
- Ralph Moody as Arthur 'Pa' Barker
- Coulter Irwin as FBI Agent Ross Baxter
- Jeanne Bates as Mrs. Ross Baxter
- Sydney Mason as Lieutenant Bill Baxter
- Bill Baldwin Sr as Special Agent Fenton/Narrator
- Captain Frank Hamer as Texas Ranger
- Sam Flint as FBI Chief
- Florence Lake as Bessie, the landlady
- Russ Whitney as Verne Miller
- Helen Van Tuyl as Texas Lady Governor
- Hank Patterson as Scully Wass (Farmer)
- Robert Bice as FBI Agent Tyler
- Percy Helton as pool room proprietor
- Scott Douglas as FBI Agent Clifton
- William Boyett as FBI Agent on pier
- Ray Boyle as Raymond Hamilton
- Texas Joe Foster as Tony Milento
- Joseph J. Greene as Arthur Troser
- Darlene Fields as Connie, Dillinger's girl
- Dick Foote as prison trusty
- Billy Griffith as Bucher
- Robert Vanselow as John Hamilton
- Glenn Holden as Dillinger's jail guard
- Harold 'Tommy' Hart as garage man
- Smoki Whitfield as the bootblack
See also
References
- ↑ Woods, Paul, Scorsese: a journey through the American psyche, Plexus, 2005, p.91.