Enjoy Yourself
Minogue posing with a golden hat and wearing a black blouse
International cover
Studio album by
Kylie Minogue
Released9 October 1989 (1989-10-09)
RecordedFebruary–July 1989
StudioPWL
Genre
Length32:56
Label
ProducerStock Aitken Waterman
Kylie Minogue chronology
Kylie
(1988)		 Enjoy Yourself
(1989)		 Rhythm of Love
(1990)
Singles from Enjoy Yourself
  1. "Hand on Your Heart"
    Released: 24 April 1989
  2. "Wouldn't Change a Thing"
    Released: 24 July 1989
  3. "Never Too Late"
    Released: 23 October 1989
  4. "Tears on My Pillow"
    Released: 8 January 1990

Enjoy Yourself is the second studio album by Australian recording artist Kylie Minogue, released on 9 October 1989 in the United Kingdom by Pete Waterman Entertainment (PWE), and in Australia on 6 November by Mushroom Records. In the United States, it was released in January 1990 by Geffen Records. Following the success of her self-titled debut album, Minogue reunited with the producers Stock Aitken Waterman, who produced and wrote nine of the album's ten tracks, in London in February 1989. The recording sessions took place there from February until July, coinciding with Minogue filming her first feature film The Delinquents.

Enjoy Yourself is a bubblegum pop, dance-pop, and disco album that mainly discusses romantic relationships. It received mixed reviews from music critics, who criticised its similarity with her debut release. In the United Kingdom, it debuted at number one with pre-sales of over 600,000 copies and became the sixth best-selling album of 1989. The album was certified four times platinum by the British Phonographic Industry (BPI) in January 1990. It also peaked in the top ten in Ireland, Australia and New Zealand. It failed to find an audience in the United States, and Minogue was dropped as an act by Geffen Records.

Four singles were released from the album, including UK chart-toppers "Hand on Your Heart" and "Tears on My Pillow". Two other singles, "Wouldn't Change a Thing" and "Never Too Late" peaked in the top five. All four peaked in the top twenty in Australia and Ireland. The album was promoted further through Minogue's first and second concert tours, Disco in Dream (1989) and the Enjoy Yourself Tour (1990), which traveled to Australia, Britain and Asia. The album was re-issued in the United Kingdom for the first time in 2015, when it returned to the UK Albums Chart.

Background and recording

Kylie Minogue first came to public attention in 1986, when she was cast in the popular soap opera Neighbours as Charlene Robinson, a schoolgirl turned garage mechanic.[1] She signed with Mushroom Records in early 1987 and released her self-titled debut studio album in July 1988.[2] Fuelled by hit singles like "I Should Be So Lucky", "The Loco-Motion" and "Got to Be Certain", Kylie peaked at number one and was the best-selling album of 1988 in the United Kingdom.[3] In her native Australia, it peaked at number two and was certified four times platinum by the Australian Recording Industry Association (ARIA).[4] It has sold over five million copies worldwide.[5] The album helped Minogue launch her career as a pop artist at a time when not many established actors in television chose to make a record.[6]

Minogue relocated to London after filming her final scenes for Neighbours in June and July 1988.[7] In November, she lent her voice to "Especially for You", a duet with her then-boyfriend Jason Donovan, who also played her love interest in Neighbours.[8] Written and produced by Stock Aitken Waterman (SAW), it became the fourth highest-selling single of 1988 and the first number-one single of 1989 in the United Kingdom.[9] In February 1989, she reunited with the producers at PWL Studios 1 & 4 in London.[10] The trio, who had served as producers and writers on Kylie, had Minogue record "Hand on Your Heart" and "Wouldn't Change a Thing", while working on her second album.[11] Pete Waterman, one of the producers, felt that they had a remarkable work ethic during the making of Enjoy Yourself, saying "We aren't nervous about following up the first album at all, we were on a treadmill and loving it".[12] The album was licensed by PWL co-owner David Howell.[12]

Two months later, it was announced that Minogue had accepted the lead part of Lola Lovell in the Australian-based film The Delinquents, directed by Chris Thomson. Trying to establish herself as a serious actress, Minogue believed the role as a rebellious and passionate country girl would differentiate her from her girl-next-door image in Neighbours.[13] Principal photography began in Maryborough, Queensland, in May and lasted about two months.[14] She resumed work on her album in London for three weeks until July.[15] The three-week recording sessions were intense since she was still promoting her debut album.[16] For The Delinquents' soundtrack, Waterman suggested Minogue cover The Teenagers' "I'm Not a Juvenile Delinquent" (1957) or Little Anthony and the Imperials' "Tears on My Pillow" (1958). Minogue picked the latter work, as she was already familiar with the song, and recorded it the next day.[17] She recorded "Never Too Late" during the final sessions in July.[18]

Music and lyrics

Stock, Aitken and Waterman wrote and produced the entire album apart from "Tears on My Pillow", which was written by Sylvester Bradford and Al Lewis.[19] Minogue and the producers decided that the album would be more diverse than the previous effort, which was mainly dance music.[20] "There are a lot of different songs... Enjoy Yourself has balance and a sort-of fifties orchestra number... I think it has a wider range of appeal [than Kylie]", Minogue said.[21] The album contains many R&B basslines, which Stock felt shows different aspects of pop music and gives "a slightly more soulful, more American angle, a kind of serious feel".[12] He wrote simple lyrics about romantic relationships to give the songs "extra resonance and profundity".[12]

Music critics have described Enjoy Yourself as a bubblegum pop, synth-pop, dance-pop, and disco album, whose theme revolves around romantic relationships.[22] They also noted the similar composition of the songs to those on Minogue's debut album.[23] Nick Levine of Digital Spy said that the album sounded "more perky, plasticky Stock Aitken Waterman pop" than the previous effort.[24] Joe Sweeney of PopMatters felt that Minogue was no longer bridging the gap between pop and dance music, but trying to expand from the "still-Astley-rific SAW house sound" by incorporating ballad and doo-wop tracks.[25] Ian Gormely of Exclaim! compared the bubblegum synth-pop sound to the work of American singers Tiffany and Debbie Gibson.[26] Gary James of Entertainment Focus called it a well-merged complication of her debut and the throwback sound of the 50s and 60s.[27]

Songs analysis

"Tell Tale Signs" and "My Secret Heart" received comparisons to the work of Paul McCartney (pictured in 1980)

"Hand on Your Heart" is a beat-heavy song that contains a message about honesty and communication in a relationship.[28] The song was inspired by soul singles "That's the Way Love Is" by Ten City (1989) and "This Old Heart of Mine (Is Weak for You)" by The Isley Brothers (1966).[12] "Wouldn't Change a Thing" deals with believing someone even if no one can understand, while "Never Too Late" follows Minogue's optimistic philosophy.[29] Colin Irwin of Number One felt that both tracks have an easy and mellow pace but still maintain its appeal as dance-pop tracks, and found the yearning lyrics of the latter work similar to the work of Donovan.[30]

The happy and bouncy track "Nothing to Lose" tells a story about taking risks to get what you want.[31] It is followed by "Tell Tale Signs", a jazz-oriented blues and string-laden torch song, in which Minogue realizes the signs of a relationship falling apart.[32] The offbeat baroque pop "My Secret Heart" contains unusual rhythms, key changes, stuttering cello sounds, and jaunty lyricism.[33] Minogue characterized "My Secret Heart" as an innocent and hopeful fantasy song that reminds her of the 1940s romantic Hollywood films.[34] Critics compared both "Tell Tale Signs" and "My Secret Heart" to the work of Paul McCartney.[33] Minogue sings "I'm Over Dreaming (Over You)", the seventh track, in a celebratory and joyous way.[30] Its subject matter centres around finding the courage to face the end of a relationship.[29]

Colin Irwin of Number One felt that Minogue sounds authentic in her version of "Tears on My Pillow", an innocent ballad that differs from Johnny Nash's 1975 reggae hit of the same name.[30] Levine, on the other hand, called it an "odd retro moment".[24] Minogue found her version "smooth and easy to listen to" and fairly true to the original.[34] The melodic "Heaven and Earth" shows Minogue's view on the environmental issues, and encourages people to conserve and protect the environment.[35] It is followed by the title track, which serves as the album closer.[30] Lyrically, it reminds people to be happy and enjoy themselves.[34] Levine described it as a "party [song] with a Seize The Day message" that predicted Minogue's follow-up effort.[24]

Artwork and release

The album's artwork, shot by photographer Simon Fowler, shows Minogue grinning while wearing a black minidress and a bedazzling golden hat.[36] Minogue was surprised about the final artwork, which she found "quite daring" and "does reveal a bit of flesh".[37] "[The hat] is from London. I'm heavily into sequins at the moment... I don't think I would wear it down the street though," Minogue recalled.[38] Like Kylie, the artwork was meant to show her in a girlie and carefree way that kids and teenagers could relate to, and not as "some icon on a pedestal".[39] Other PWL artists used the same strategy and can be seen posing with hats on the covers of their albums. These include Mandy Smith's Mandy (1988) and Sonia's Everybody Knows (1990).[40] The title, Enjoy Yourself, reflects Minogue's motto of living with a positive attitude in the face of life's difficulties.[41]

Enjoy Yourself was released in the UK on 9 October 1989 by PWL.[42] The album was not released in Australia until 6 November 1989, through Mushroom Records.[43] In Japan, a limited edition was released in November with postcards, stickers and a lyric booklet.[44] The North American edition, released by Geffen Records in 1990, had differing artwork and included "Especially for You" as a bonus track.[45] In 1989, a VHS titled Kylie: The Videos 2 was released in the United Kingdom and Japan by PWL, including an interview with Minogue, as well as music videos for "It's No Secret", "Hand on Your Heart", "Wouldn't Change A Thing", and "Never Too Late".[46] The album was re-released by WEA in Japan in 1993 and 1995,[47] before PWL announced their reissue in 2012 with bonus tracks and mixes.[48] In October 2014, it was announced that Enjoy Yourself was to be re-released by Cherry Red Records and PWL, along with her studio albums Kylie, Rhythm of Love, and Let's Get to It (1991).[49] The release date was later postponed to 9 February 2015.[50] The albums were digitally remastered from the original studio tapes and available on vinyl, CD, and DVD. This was the first time these albums had been released in the United Kingdom since their original release.[51]

Promotion

Minogue holding a microphone, leaning against a male dancer and facing to the left
Minogue performing the single "Wouldn't Change a Thing" during one of the concerts of the Golden Tour (2018–19)

During the release week, the album was backed by a £250,000 advertising campaign on television, in teen magazines and music papers.[52] In October 1989, Minogue launched her first concert tour, Disco in Dream, performing several songs from both Kylie and Enjoy Yourself.[53] It began in Japan, where she performed before 38,000 fans at the Tokyo Dome.[54] She later joined other artists from the PWL label on a ten-date theatre tour in the United Kingdom, which attracted 170,000 fans.[55] Its run in the United Kingdom was sponsored by local radio stations and was re-titled The Hitman Roadshow.[56]

Enjoy Yourself Tour

From February to May 1990, Minogue launched the Enjoy Yourself Tour. She performed three shows in her native Australia in February, grossing $3 million from the sale of 10,000 tickets per-show.[57] The tour was later extended to Europe and South East Asia in April and May.[57] Her performance in Birmingham, the first city of the European leg, attracted 12,700 fans at the Resorts World Arena.[58] Minogue donated thirteen costume pieces worn in both concert tours to the Arts Centre Melbourne—three of them were given in 1991, two in 2008, and the rest were sent to the Cultural Gifts Program in 2004.[59]

Set list

The set list adapted from Minogue's official website:[60]

  1. "The Loco-Motion"
  2. "Got to Be Certain"
  3. "Hand on Your Heart"
  4. "Love at First Sight"
  5. "Made in Heaven"
  6. "My Girl"
  7. "Tears on My Pillow"
  8. "I Should Be So Lucky"
  9. "I Miss You"
  10. "Nothing to Lose"
  11. "Blame It on the Boogie"
  12. "ABC"
  13. "Tell Tale Signs"
  14. "Je Ne Sais Pas Pourquoi"
  15. "Never Too Late"
  16. "Wouldn't Change a Thing"
  17. "Dance to the Music"
  18. "Better the Devil You Know" (UK & European shows only)
  19. "Enjoy Yourself"
Dates
List of concerts, showing date, city, country, and venue
Date City Country Venue
Australia[61]
3 February 1990 Brisbane Australia Brisbane Entertainment Centre
5 February 1990 Sydney Sydney Entertainment Centre
9 February 1990 Melbourne National Tennis Centre
Europe[61]
17 April 1990 Birmingham England NEC Arena
18 April 1990
19 April 1990
20 April 1990 London London Arena
21 April 1990
23 April 1990
25 April 1990 Belfast Northern Ireland King's Hall
27 April 1990 Dublin Ireland RDS Simmonscourt
28 April 1990
29 April 1990
2 May 1990 Whitley Bay England Whitley Bay Ice Rink
8 May 1990 Paris France La Cigale
10 May 1990 Cologne Germany Sporthalle Köln
11 May 1990 Hamburg Alsterdorfer Sporthalle
12 May 1990 Brussels Belgium Forest National
14 May 1990 Glasgow Scotland SECC Concert Hall 4
15 May 1990 Aberdeen AECC Arena
17 May 1990 Birmingham England NEC Arena
18 May 1990 London Wembley Arena
Asia[61]
24 May 1990 Kowloon Hong Kong Hong Kong Coliseum
26 May 1990 Bangkok Thailand Thailand Cultural Centre

Singles

Photograph of Minogue wearing in a pink bra and red panties holding a mic with two male dancers to her sides
Minogue performing a medley of album tracks "Enjoy Yourself", "Hand on Your Heart" and "Never Too Late" during her Kiss Me Once Tour in Sheffield in November 2014

"Hand on Your Heart" was released as the first single in April 1989 with "Just Wanna Love You" as the B-side track.[62] A music video, filmed in Melbourne earlier in March, was released featuring Minogue dancing in a studio set.[63] The single received limited promotion as Minogue was busy filming The Delinquents.[64] Nevertheless, the song became her third number one single on the UK Singles Chart, while reaching number four on the Australian Singles Chart.[65] It reached number one in Ireland, and peaked in the top ten in Switzerland and France.[66] The second single "Wouldn't Change a Thing" was released in July, accompanied by Minogue's first music video to be filmed in the UK.[67] It debuted at number two there and reached number six in Australia that September.[68]

The title track was originally planned as the third single but was replaced with "Never Too Late". The decision was made at the last minute before its release on 23 October.[69] The track's B-side was a megamix of her songs from Kylie, titled "Kylie's Smiley Mix".[70] "Never Too Late" became Minogue's fifth number-one single in Ireland and reached number four in the UK.[71] The music video shows Minogue in various costumes: she dresses as a cowgirl, a '70s disco dancer, a Chinese woman with a handheld fan and a 1920s flapper.[72] "Tears on My Pillow" was released as the final single to support both the album and The Delinquents. The single was pushed until January 1990 to meet the film's release schedule.[73] It debuted at number two in the UK on 14 January, Minogue's ninth consecutive top-five single and her fourth to debut at number two.[74] It reached number one the following week, her fourth single to do so.[74] The 12" single was released with the B-side "We Know the Meaning of Love".[75] "Never Too Late" and "Tears on My Pillow" also peaked in the top 20 in Australia and the Netherlands.[76]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[77]
Calgary HeraldC-[78]
Chicago Tribune[79]
Digital Spy[24]
Encyclopedia of Popular Music[80]
PopMatters[25]
Q[81]
Rolling Stone[82]
Smash Hits[83]

Enjoy Yourself received mixed reviews from music critics, many of whom compared it to Minogue's debut album. Sean Smith and the staff of People magazine described it as an unimaginative extension of Kylie; the result was just "another Charlene album".[84] Richard Lowe of Smash Hits and Nick Levine of Digital Spy opined that despite the lack of strong tunes, the album still had more variety than her first one and Minogue was "at her most ingenuous".[85] Colin Irwin of Number One called the album a departure for Minogue, which shifts away from other traditional SAW-produced tracks.[30] AllMusic's Chris True found it was a good follow-up to her debut, and the producers "knew what they had and they crafted songs that kept [Minogue] in the public eye."[77]

Several critics panned the production and Minogue's lack of input on the album. Arion Berger of Rolling Stone dismissed the singer's woeful vocals, and commented that she had a long way to go to display any artistic innovation.[82] People magazine opined that the producers overpowered Minogue, describing her as "a cog in a gray-noise machine".[86] In a 2015 review, PopMatters' Joe Sweeney deemed it a more ambitious production and Minogue's vocals were particularly stronger than before. He felt the result, however, sounded "like a messy document of artistic maturation".[25] Caitlin O'Connor Creevy of Chicago Tribune and a Billboard's reviewer deemed the album premature and average, while also panning the computer-generated songs.[87]

In a review in 2018, Slant Magazine's Sal Cinquemani wrote that Enjoy Yourself closely repeats Kylie's sonic template and criticised "Hand on Your Heart" as a disjunctive lead single. He described it as Minogue's second-worst studio album.[88] While reviewing the album on its 30th anniversary, Matt Hocter noted a maturity that was missing from Minogue's previous album. He concluded that Minogue had managed to make a pop album that is now recognised as a classic.[89] In the Encyclopedia of Popular Music (2011), British writer Colin Larkin gave it three out of five stars, as he did Minogue's debut album, classifying it as "recommended" and highly listenable.[80] At the ARIA Music Awards of 1990, Minogue was nominated for Best Female Artist for Enjoy Yourself while receiving the Outstanding Achievement Award.[90] The music video for "Never Too Late" won the award for Most Popular Music Video at the 32nd Logie Awards, her second win in the category; she previously won for "The Loco-Motion" in 1988.[91]

Commercial performance

Enjoy Yourself debuted at number one on the UK Albums Chart and remained in the top 10 for sixteen weeks.[92] It was certified double platinum by the British Phonographic Industry two days after its release, powered by pre-sales of over 600,000 copies.[93] It went on to sell over one million copies in the first ten weeks of its release.[94] It was the sixth best-selling album of 1989 in the UK, and was certified four times platinum on 1 January 1990.[95] Enjoy Yourself returned to the UK Albums Chart in 2015, when the reissue peaked at number ninety-four on 15 February.[96] In her native Australia, the album debuted at number fifteen before reaching number nine in the second week.[97] It was certified platinum by the Australian Recording Industry Association in January 1990 for selling over 70,000 copies.[98] It debuted at number sixteen in New Zealand and peaked at number six three weeks later.[99] It was certified gold by the Recorded Music NZ in June 1990.[100]

In Japan, Enjoy Yourself was Minogue's first top-ten entry on the Oricon Albums Chart, peaking at number seven.[101] It was certified gold by Recording Industry Association of Japan in November 1989, her second and last certification there, and had sold 49,000 copies as of 2006.[102] The album also peaked in the top 30 in Finland, France, and Switzerland.[103] In North America, the album failed to find an audience and did not appear on any major charts, leading to Minogue being dropped as an act by Geffen Records. Enjoy Yourself was her last album released there until her eighth studio album, Fever was picked up by Capitol Records in 2002.[104]

Track listing

All songs written, produced and arranged by Mike Stock, Matt Aitken and Pete Waterman, except "Tears on My Pillow" by Sylvester Bradford and Al Lewis.

Enjoy Yourself – Standard version[19]
No.TitleLength
1."Hand on Your Heart"3:51
2."Wouldn't Change a Thing"3:14
3."Never Too Late"3:22
4."Nothing to Lose"3:21
5."Tell Tale Signs"2:26
6."My Secret Heart"2:41
7."I'm Over Dreaming (Over You)"3:23
8."Tears on My Pillow"2:30
9."Heaven and Earth"3:44
10."Enjoy Yourself"3:45
Total length:32:56
Enjoy Yourself – North American version[105]
No.TitleLength
1."Hand on Your Heart"3:51
2."Wouldn't Change a Thing"3:14
3."Never Too Late"3:22
4."Nothing to Lose"3:21
5."Tell Tale Signs"2:26
6."Especially for You" (duet with Jason Donovan)3:59
7."My Secret Heart"2:41
8."I'm Over Dreaming (Over You)"3:23
9."Tears on My Pillow"2:30
10."Heaven and Earth"3:44
11."Enjoy Yourself"3:45
Total length:36:57
Kylie: The Videos 2[106]
No.TitleLength
1."It's No Secret" (Video) 
2."Hand on Your Heart" (Alternate video) 
3."Wouldn't Change a Thing" (Video) 
4."Never Too Late" (Video) 
5."Interview" 
Enjoy Yourself – 2012 Japanese reissue bonus tracks[48]
No.TitleLength
11."Just Wanna Love You"3:32
12."We Know the Meaning of Love"3:31
13."Hand on Your Heart" (The Great Aorta Mix)6:26
14."Wouldn't Change a Thing" (Your Thang Mix)7:15
15."Never Too Late" (Extended)6:10
16."I'm Over Dreaming (Over You)" (Extended)4:56
17."Tears on My Pillow" (12" version)4:20
Enjoy Yourself – 2015 reissue deluxe version (Disc 1)[107]
No.TitleLength
11."Especially for You"4:00
12."All I Wanna Do Is Make You Mine"3:38
13."Just Wanna Love You"3:32
14."We Know the Meaning of Love"3:31
15."Hand on Your Heart" (The Great Aorta Mix)6:26
16."Wouldn't Change a Thing" (Your Thang Mix)7:15
17."Never Too Late" (Extended Version)6:10
18."Tears on My Pillow" (Extended Version)4:05
19."Especially for You" (Extended Version)5:01
Enjoy Yourself – 2015 reissue deluxe version (Disc 2)[107]
No.TitleLength
1."Hand on Your Heart" (The Heartache Mix)5:22
2."Wouldn't Change a Thing" (The Espagna Mix)5:47
3."I'm Over Dreaming (Over You)" (Extended Remix)4:56
4."We Know the Meaning of Love" (Extended Version)5:51
5."Tears on My Pillow" (12" Remix)4:20
6."Especially for You" (Original 12" Mix)5:00
7."All I Wanna Do Is Make You Mine" (Extended Version)6:01
8."Hand on Your Heart" (Smokin' Remix)5:33
9."Wouldn't Change a Thing" (Yoyo's 12" Mix)6:38
10."Especially for You" (Original 7" Mix)3:31
11."Hand on Your Heart" (Video Mix)3:45
12."Wouldn't Change a Thing" (The Espagna Mix Edit)4:17
13."Never Too Late" (Oz Tour Mix)5:06
14."I'm Over Dreaming (Over You)" (7" Remix)3:23
15."Hand on Your Heart" (Dub)5:32
Enjoy Yourself – 2015 reissue deluxe version (Disc 3)[107]
No.TitleLength
1."Especially For You" (Music video, duet with Jason Donovan) 
2."Hand on Your Heart" (Music video) 
3."Wouldn't Change a Thing" (Music video) 
4."Never Too Late" (Music video) 
5."Tears on My Pillow" (Music video) 
6."Interviews & Intros" (Part of the bonus footage section) 
7."The Making of "Never Too Late"" (Part of the bonus footage section) 
8."Never Too Late" (Behind the Scenes, part of the bonus footage section) 
9."Especially For You" (Live on Wogan) 
10."Especially For You" (Live on Top of the Pops) 
11."Hand on Your Heart" (Live on Top of the Pops) 
12."Wouldn't Change a Thing" (Live on Wogan) 
13."Wouldn't Change a Thing" (Live on Top of the Pops) 
14."Never Too Late" (Live on Going Live!) 
15."Never Too Late" (Live on Top of the Pops) 

Personnel

Adapted from the album's liner notes.[19]

Charts

Certifications and sales

Certifications and sales for Enjoy Yourself
Region CertificationCertified units/sales
Australia (ARIA)[98] Platinum 70,000^
France (SNEP)[125] Gold 100,000*
Hong Kong (IFPI Hong Kong)[126] Gold 10,000*
Japan (RIAJ)[127] Gold 49,000[128]
New Zealand (RMNZ)[100] Gold 7,500^
Spain (PROMUSICAE)[129] Gold 50,000^
Switzerland (IFPI Switzerland)[130] Gold 25,000^
United Kingdom (BPI)[131] 4× Platinum 1,200,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

Release dates and formats for Enjoy Yourself
Region Date Format(s) Distributor(s) Ref(s).
United Kingdom 9 October 1989
PWL [42]
Japan 1 November 1989 [44]
Australia 6 November 1989 Mushroom Records [43]
United States 30 January 1990 Geffen Records [105]
Japan 10 July 1993 CD WEA [132]
25 April 1995 [133]
Australia 29 September 1998 Mushroom Records [134]
Japan 7 November 2012 PWL [48]
United Kingdom 9 February 2015
  • CD
  • DVD
  • LP
 [50]
Japan [135]

See also

References

Citations

  1. ↑ Lister 2002
  2. ↑ Smith 2014, p. 51; Levine 2010a
  3. ↑ Official Charts Company A; Kylie.com A
  4. ↑ Hung Medien A; Ryan 2011, pp. 190–191
  5. ↑ Kylie.com A; The Daily Telegraph A
  6. ↑ True A; Adams 2017
  7. ↑ Flynn 2019, p. 14: "The Sweet Sensation" by Elliot, Mark; Goodall & Stanley-Clarke 2012, p. 50
  8. ↑ Goodall & Stanley-Clarke 2012, p. 54
  9. ↑ Goodall & Stanley-Clarke 2012, p. 54; Scaping 1991, pp. 64–65: "Top 100 Singles: 1988"; Official Charts Company B
  10. ↑ Flynn 2019, p. 14: "The Sweet Sensation" by Elliot, Mark; PWL 1989a
  11. ↑ Kylie.com B; Kylie.com C; PWL 1989a; Kylie.com D
  12. 1 2 3 4 5 6 Flynn 2019, p. 27: "The Hitmen & Her" by Lindsay, Matthew
  13. ↑ Smith 2014, p. 81; Goodall & Stanley-Clarke 2012, p. 55
  14. ↑ Goodall & Stanley-Clarke 2012, pp. 56, 58; Flynn 2019, p. 123: "Get Me Acting Crazy" by Elliot, Mark
  15. ↑ Kylie.com A; Goodall & Stanley-Clarke 2012, pp. 56, 58
  16. ↑ Arroyo et al. 1990; Smith 2014, p. 81
  17. ↑ PWL 1990a, 0:43; Kylie.com E
  18. ↑ Kylie.com F
  19. 1 2 3 PWL 1989a
  20. ↑ Crone 1989; PWL 1990a, 0:29
  21. ↑ PWL 1990a, 0:29
  22. ↑ True B; Gormely 2018; McManus 1990; Berger 1990
  23. ↑ Goodall & Stanley-Clarke 2012, pp. 58; True B; Smith 2014, p. 80
  24. 1 2 3 4 Levine 2010b
  25. 1 2 3 Sweeney 2015
  26. ↑ Gormely 2018
  27. ↑ James 2020
  28. ↑ Flynn 2019, p. 14: "The Sweet Sensation" by Elliot, Mark; Smash Hits 1989, p. 4
  29. 1 2 Smash Hits 1989, p. 4
  30. 1 2 3 4 5 Irwin 1989
  31. ↑ Irwin 1989; Smash Hits 1989, pp. 4–5
  32. ↑ Irwin 1989; Cinquemani 2018; Smash Hits 1989, p. 5
  33. 1 2 Sweeney 2015; Irwin 1989
  34. 1 2 3 Smash Hits 1989, p. 5
  35. ↑ Irwin 1989; Smash Hits 1989, p. 5
  36. ↑ PWL 1989a; Flynn 2019, p. 115: "Dress Me Up 100 Ways" by Guiltenane, Christian
  37. ↑ The Clothes Show 1991
  38. ↑ PWL 1990a, 2:20
  39. ↑ Flynn 2019, pp. 26–27, 115
  40. ↑ Flynn 2019, p. 115: "Dress Me Up 100 Ways" by Guiltenane, Christian
  41. ↑ PWL 1989e, Interview: "Does Your Music Have a Message?", 0:29; PWL 1990a, 8:00
  42. 1 2 PWL 1989b
  43. 1 2 Pymble 1993
  44. 1 2 PWL 1989c
  45. ↑ Geffen 1990; Levine 2010b
  46. ↑ PWL 1989e; PWL 1989d
  47. ↑ PWL 1993; PWL 1995
  48. 1 2 3 PWL 2012
  49. ↑ PWL Records 2014; Classic Pop 2014
  50. 1 2 PWL Records 2014; PWL & Cherry Red 2015a
  51. ↑ PWL & Cherry Red 2015a; Classic Pop 2014
  52. ↑ Music Week 1989
  53. ↑ Goodall & Stanley-Clarke 2012, p. 61
  54. ↑ The Daily Telegraph 2017
  55. ↑ Goodall & Stanley-Clarke 2012, p. 66; Collinson 2015
  56. ↑ Collinson 2015
  57. 1 2 Goodall & Stanley-Clarke 2012, p. 67; Kylie.com G; Colne Valley Design 1990
  58. ↑ Kylie.com H
  59. ↑ Arts Centre Melbourne A; Arts Centre Melbourne B
  60. ↑ Kylie.com G
  61. 1 2 3 Kylie.com G; Colne Valley Design 1990
  62. ↑ Kylie.com B; PWL 1989f
  63. ↑ PWL 1989e, "Hand on Your Heart"
  64. ↑ Flynn 2019, p. 14: "The Sweet Sensation" by Elliot, Mark
  65. ↑ Official Charts Company A; ARIA Charts 2018; Kylie.com B
  66. ↑ Irish Recorded Music Association A; Hung Medien B; Hung Medien C
  67. ↑ Kylie.com C
  68. ↑ Official Charts Company A; ARIA Charts 2018
  69. ↑ Kylie.com F; Flynn 2019, p. 16: "The Sweet Sensation" by Elliot, Mark
  70. ↑ James 2019b
  71. ↑ Irish Recorded Music Association A; Official Charts Company A
  72. ↑ PWL 1989e, "Never Too Late"
  73. ↑ Kylie.com E; Flynn 2019, p. 123: "Get Me Acting Crazy" by Elliot, Mark
  74. 1 2 Official Charts Company A; Kylie.com E
  75. ↑ Kylie.com E; PWL 1990b
  76. ↑ Hung Medien D; Hung Medien I
  77. 1 2 True B
  78. ↑ Obee, Dave (8 February 1990). "Recent Releases". Calgary Herald.
  79. ↑ Creevy 1990
  80. 1 2 Larkin 2011, pp. 3435–3437, "Kylie Minogue"
  81. ↑ Kane 1989
  82. 1 2 Berger 1990
  83. ↑ Lowe 1989
  84. ↑ Smith 2014, p. 80; McManus 1990
  85. ↑ Levine 2010b; Lowe 1989
  86. ↑ McManus 1990
  87. ↑ Newman & Morris 1990; Creevy 1990
  88. ↑ Cinquemani 2018
  89. ↑ Harrison 2019
  90. ↑ ARIA Music Awards 1990
  91. ↑ TV Week A; TV Week B
  92. ↑ Official Charts Company C; Official Charts Company A
  93. ↑ British Phonographic Industry; Kylie.com D
  94. ↑ Kylie.com D
  95. ↑ Music Week 1990; British Phonographic Industry
  96. 1 2 Official Charts Company D
  97. 1 2 Hung Medien E
  98. 1 2 Ryan 2011, p. 190; Australian Recording Industry Association B
  99. 1 2 Hung Medien F
  100. 1 2 Recorded Music NZ
  101. 1 2 Okamoto 2006; Oricon A
  102. ↑ Recording Industry Association of Japan; Okamoto 2006
  103. ↑ Pennanen 2006; InfoDisc B; Hung Medien G
  104. ↑ Paoletta 2002; Gormely 2018; True B
  105. 1 2 Geffen 1990
  106. ↑ PWL 1989e
  107. 1 2 3 PWL & Cherry Red 2015a
  108. ↑ Hung Medien H
  109. ↑ Music & Media 1989a
  110. ↑ Pennanen 2006
  111. ↑ InfoDisc B
  112. ↑ GfK Entertainment Charts
  113. ↑ Music & Media 1989b
  114. ↑ Salaverrie 2005
  115. ↑ Hung Medien J
  116. ↑ Hung Medien G
  117. ↑ Official Charts Company C
  118. ↑ Lazell 2002, section "M"
  119. ↑ Australian Recording Industry Association A
  120. ↑ Music & Media 1989c
  121. ↑ InfoDisc A
  122. ↑ Music Week 1990
  123. ↑ Music & Media 1990
  124. ↑ Music Week 1990
  125. ↑ InfoDisc E
  126. ↑ IFPI Hong Kong
  127. ↑ Recording Industry Association of Japan
  128. ↑ Okamoto 2006
  129. ↑ Salaverrie 2005, p. 927
  130. ↑ IFPI Switzerland
  131. ↑ British Phonographic Industry
  132. ↑ PWL 1993
  133. ↑ PWL 1995
  134. ↑ Mushroom 1998
  135. ↑ PWL & Cherry Red 2015b

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