Ephraim Moses Lilien
Born23 May 1874
Drohobycz, Galicia, Austro-Hungarian Empire (modern Drohobych, Ukraine)
Died18 July 1925 (age 51)
Badenweiler, Republic of Baden, Germany
EducationAcademy of Arts in Kraków
Academy of Fine Arts Vienna
Known forIllustrator and print-maker
MovementBezalel school

Ephraim Moses Lilien (Polish: Maurycy Lilien, Hebrew: אפרים משה ליליין; 23 May 1874 – 18 July 1925) was an art nouveau illustrator and printmaker particularly noted for his art on Jewish themes and his influence on the Bezalel school art movement. He is sometimes called the "first Zionist artist."[1]

Biography

Ephraim Moses Lilien (Maurycy Lilien) was born in 1874, in Drohobycz, Galicia,[2] then in the Austro-Hungarian Empire. In 1889-1893, Lilien learned painting and graphic techniques at the Academy of Arts in Kraków. He studied under Polish painter Jan Matejko from 1890 to 1892.

As a member of the Zionist Movement, Lilien traveled to Ottoman Palestine several times between 1906 and 1918.[3]

Lilien attended the Fifth Zionist Congress, held in Basel, as a member of the Democratic Fraction, an opposition group that supported the development of secular national culture.[4] In 1905, at the Seventh Zionist Congress, in Basel, he, along with Boris Schatz, became a member of a committee formed to help establish the Bezalel Art School.[2] As part of that work he accompanied Schatz to Jerusalem.[1]

Art career

Lilien was one of the two artists to accompany Boris Schatz to what is now Israel in 1906 for the purpose of establishing Bezalel Academy of Arts and Design, and taught the school's first class in 1906. Although his stay in the country was short-lived, he left his indelible stamp on the creation of an Eretz Israel style, placing biblical subjects in the Zionist context and oriental settings, conceived in an idealized Western design. In the first two decades of the century, Lilien's work served as a model for the Bezalel group.

Lilien is known for his famous photographic portrait of Theodor Herzl. He often used Herzl as a model, considering his features a perfect representation of the "New Jew."[5] In 1896, he received an award for photography from the avant-garde magazine Jugend. Lilien illustrated several books. In 1923, an exhibition of his work opened in New York.[3]

Lilien's illustrated books include Juda (1900), Biblically themed poetry by Lilien's Christian friend, Börries Freiherr von Münchhausen, and Lieder des Ghetto (Songs of the Ghetto) (1903), Yiddish poems by Morris Rosenfeld translated into German.

Lilien died in Badenweiler, Germany in 1925. A street in the Nayot neighborhood of Jerusalem is named for him.

References

  1. 1 2 Haim Finkelstein, Lilien and Zionism Archived 2004-04-14 at the Wayback Machine
  2. 1 2 Werner, Alfred; Radjai-Ordoubadi, Jihan (2007). "Lilien, Ephraim Moses". In Berenbaum, Michael; Skolnik, Fred (eds.). Encyclopaedia Judaica. Vol. 13 (2nd ed.). Detroit: Macmillan Reference. p. 14. ISBN 978-0-02-866097-4 – via Encyclopedia.com.
  3. 1 2 On Ephraim Moses Lilien Archived 2007-03-14 at the Wayback Machine
  4. ↑ Friedman, Maurice S. (1988). Martin Buber's Life and Work. Detroit: Wayne State University Press. ISBN 0814319475. p. 59.
  5. ↑ "Artistic Expressions of the Jewish Renaissance". George Washington University Libraries. Archived from the original on 2014-06-24.
  6. ↑ Levussove, New Art of an Ancient People: Lilien, p. 12: "The Silent Song".
  7. ↑ Image published in Ost und West, Berlin, January 1902, 17-18.
  8. ↑ Image published in Ost und West, December 1904, 848-850.
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