City as an Artist's Subjectivity
AuthorAlexey Parygin
Original titleГород как субъективность художника
LanguageRussian
GenreArtists' books
PublisherTimofey Markov Publishing House
Publication date
2020
Media typeBook
Pages38

City as an Artist's Subjectivity (Russian: Го́род как субъекти́вность худо́жника, romanized: Górod kak sub"yektívnost' khudózhnika. 2020) is a publication in the format of an artist's book, spearheaded in St. Petersburg by the artist-curator Alexey Parygin. Thirty-five modern artists from four Russian cities took part in the project (Saint Petersburg, Moscow, Nizhny Novgorod, Kazan).[1]

History of creation

Every invited artist created only one graphic composition accompanied by the author's commentary, a short text with their understanding of a large modern city. All graphic sheets are collected in specially designed publishing boxes. The limited edition of the portfolio included 58 numbered copies, signed by the authors of the compositions, the curator and the publisher.[2]

All graphic sheets are made in color, in various printed graphic techniques: lithography, linocut, woodcut, plywood engraving, serigraphy, stencil, etching, manual typesetting, manual photo printing and others. So each sheet of this edition is different from one another: tinting with a brush and spray paint, colored pencils, watercolor or acrylic. All graphic sheets are created on paper of different type and tone, specially selected for each author, which was the project's program setting.[3]

The curator invited artists with an established creative style to participate in this publication. All of them belong to different generations and schools and have different, sometimes diametrically opposed views on the tasks and value criteria of art.[4]

Thirty-five project artists: Vladimir Kachalsky, Valery Mishin, Alexandr Borkov, Valery Korchagin, Viktor Remishevsky, Alexey Parygin, Viktor Lukin, Marina Spivak, Mikhail Pogarsky, Igor Ivanov, Grigory Katsnelson, Leonid Tishkov, Andrey Korolchuk, Gafur Mendagaliev, Kira Matissen, Petr Perevezentsev, Ella Tsyplyakova, Yan Antonyshev, Mikhail Molochnikov, Dmitry Kawarga, Igor Baskin, Boris Zabirokhin, Evgeny Strelkov, Anatoly Vasilev, Vasiliy Vlasov, Alexandr Pozin, Vyacheslav Shilov, Nadezhda Anfalova, Ekaterina Posetselskaya, Andrey Chezhin, Igor Ganzenko, Yuri Shtapakov, Alexandr Artamonov, Anastasiya Zykina and Vasya Khorst.[5]

City as an Artist's Subjectivity. Work in progress. Lithography. 2019
City as an Artist’s Subjectivity. 2020, box, serigraphy
City as an Subjectivity. Exhibition. 2021
A City as an Artist’s Subjective Space. Catalog. (Rus & En). 2020. ISBN 978-5-906281-32-6

Key ideas

A big city is always partially a Babylon, sometimes an eclectic mixture, juxtaposing contrasts, dialogue and conflict all at once. It is a Unity achieved thanks to our differences. It contains both old and new things. A city without development is dull. A city deprived of its historical context is uninteresting. Moreover, a city without clear urban planning ideas is a toneless backwater...[6].

The project logo is a black circle that outlines the sheet; it appears on the title page of the publication, on the cover of the catalog and on posters for exhibitions. It is a minimalistic sign of hermetic completeness and, at the same time, an image of a wheel, of movement. Urban routine, observed on almost every corner. From the banal to the sacred and back again. The city within. Triviality, vaguely recognisable uncertainty, an endless variety of interpretations is the City. Subjective, personally experienced understanding of the modern metropolis.[7]

Museum collections and foundations

Exhibitions

  • The City as an Subjectivity / Moscow. — AVC Charity Foundation. Exhibition Center. Moscow. August 24 — October 4, 2021.
  • The City as an Subjectivity / St. Petersburg. — Museum of Urban Sculpture in St. Petersburg. New Exhibition Hall. St. Petersburg. October 23, 2020 — February 22, 2021.

Bibliography

Interview

TV Reports

Selected compositions

References

  1. ↑ City as Artist's subjectivity. Artist's book project. Catalog. Authors of the articles: Parygin A.B., Markov T.A., Klimova E.D., Borovsky A.D., Severyukhin D.Ya., Grigoryants E.I., Blagodatov N.I. (Rus & En) — SPb: Ed. T. Markova. 2020. — P. 5
  2. ↑ Alexey Parygin A City as the Artist's Subjectivity // Book Arts Newsletter. — No. 140. Bristol: CFPR (Centre for Fine Print Research). University of the West of England, 2021, July — August. — P. 46
  3. ↑ Ekaterina Klimova A City as a Book / Artist’s Book Yearbook 2022-2023. Edited by Sarah Bodman. — Bristol: CFPR (Centre for Fine Print Research). University of the West of England, Bristol. 2022. — P. 93
  4. ↑ City as Artist's subjectivity. Artist's book project. Catalog. Authors of the articles: Parygin A.B., Markov T.A., Klimova E.D., Borovsky A.D., Severyukhin D.Ya., Grigoryants E.I., Blagodatov N.I. (Rus & En) — SPb: Ed. T. Markova. 2020. — S. 123
  5. ↑ Blagodatov N.I. Субъективные пространства города. — Петербургские искусствоведческие тетради, выпуск 67, СПб: АИС, 2021. — С. 66.
  6. ↑ Alexey Parygin A City as the Artist's Subjectivity // Book Arts Newsletter. — No. 140. Bristol: CFPR (Centre for Fine Print Research). University of the West of England. 2021, July — August. — P. 46.
  7. ↑ "A City as the Artist's Subjectivity" is an Artist is a large Russian project... // Book Arts Newsletter. — No. 140. 2021, July — August. — P. 46-48. pdf
  8. ↑ Aleksei Parygin (Ed.) Город / City. St. Petersburg: Timofei Markov, 2020. Box 450 x 330 x 55 mm. Edition: 58. Copy no. 49. Box with 6 rext pages and 35 prints by 35 artists on folded sheets
  9. ↑ Artist’s Book Yearbook 2022-2023. Edited by Sarah Bodman. — Bristol: CFPR. University of the West of England, 2022
  10. ↑ Общедоступные библиотеки СПб. КАТАЛОГ: Город как субъективность художника. Каталог проекта в формате групповой книги художника
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