Chances
Newspaper advertisement
Directed byAllan Dwan
Written byWaldemar Young (adaptation)
Screenplay byA. Hamilton Gibbs
Based onChances
1930 novel
by A. Hamilton Gibbs
Produced byFirst National
StarringDouglas Fairbanks, Jr.
Rose Hobart
CinematographyErnest Haller
Edited byRay Curtiss
Music byDavid Mendoza
Oscar Potoker
Distributed byFirst National and Warner Brothers
Release date
  • July 18, 1931 (1931-07-18)
Running time
72 minutes
CountryUnited States
LanguageEnglish

Chances is a 1931 American pre-Code war drama film directed by Allan Dwan and starring Douglas Fairbanks, Jr. It is based on the 1930 novel by A. Hamilton Gibbs.[1]

According to Fairbanks, the film was a hit.[2]

Plot

In 1914, brother officers Jack and Tom Ingleside are in London, headed home on furlough. In the dense fog, Jack bumps into a young woman and tries to pick her up. She laughs at him, promises they will meet again, and rides off in a cab. When the brothers arrive at the family home, their mother is having tea with Molly Prescott, a childhood neighbor who has grown to be a lovely young woman—the woman in the fog. Tom tells his mother that he has always loved Molly. Jack, who is known as a ladies' man, is smitten.

Mrs. Ingleside is holding a benefit ball for the Red Cross, and Archie, Ruth and Sylvia, friends of the boys, spend the weekend. Sylvia is Jack's old flame. Jack and Molly step away from the dance. He tries to tell her how he feels and she laughingly replies, "How many girls have you said that to?" but they kiss. She returns to the dance where Tom is waiting.

When their mother tells Jack of her joy at the love between Tom and Molly, he is shocked as he had thought that Tom was not interested in girls. Heartbroken, he makes love to Sylvia in Molly's presence. Wounded, Molly turns away. Meanwhile, they have been called back to France and their artillery unit. Tom asks Molly to wait for him. Ecstatic, he tells Jack of the engagement, and Jack congratulates him.

At the front, bodies and debris fill a gun emplacement and the communicating trench. Lieutenant Taylor brings the news and dies. Jack is assigned to take a crew of volunteers to put the gun back in order, returning over the same terrain that killed Taylor. The mission is a success, but four men die. The major sends Jack on leave. Tom gives him a letter for Molly, who does not write to him. In a French town, Jack sees Molly, who is driving for the army. She confesses that she agreed to marry Tom out of anger, and she cannot bear his letters. She asks for one day of Jack's leave. He agrees to come back early. She promises to write to Tom and tell him the truth.

They meet as planned and visit the shore. She did not write to Tom. Jack says "Saying goodbye is to die a little." He puts a ring on her left hand. She gives him a picture. They have an hour left, perhaps their last, and she cannot bear to let him go. She curls up on the grass, weeping. They embrace passionately.

At the front, Jack says that it was impossible to talk to their mother as there was a stone wall between them. Tom observes that the letters they send home are lies, just another thing that they will have to conceal when the war is over.

Tom takes Jack's coat by mistake and finds Molly's picture. He assumes that Jack had forgotten to give it to him, but when he teases Jack about it, the truth emerges. Tom, furious and betrayed, refuses to listen.

Major Bradford is ordered to withdraw his artillery group. Men, teams of horses and wagons race to a new position under a constant barrage. They fire on the advancing German infantry, then remove the breech blocks and fall back to their trenches, still under constant fire. Tom lingers by the guns, apparently in despair. Calling Tom, Jack returns through barbed wire and across shattered ground to reach his brother, now wounded. He drags Tom back.

Jack has lost his left arm and walks with a cane. Molly steps out to meet him and they kiss. Tom has died, but Jack finds consolation in the fact that his brother said that they were pals at the end. They walk together into the fog.

Cast

Uncredited:

Reception

In a contemporary review for The New York Times, critic Mordaunt Hall wrote: "It is a thoroughly human story of war and love, taken from A. Hamilton Gibbs's novel. It rings true in every episode, nothing being overdone, for which Alan Dwan, the director, deserves much credit. The fighting scenes are vividly produced and the romance is etched splendidly. ... This picture is a glowing example of the value of adhering to an author's story. The fact that it has not been tampered with unduly is the reason for its compelling quality, for no silly scenario tricks are permitted to interrupt the flow of events. Mr. Dwan unfurls his tale with commendable restraint, giving through the turning of railroad coach wheels, those of an automobile or those of a motorcycle, a definite conception of the passage of time."[3]

Preservation status

The film has been preserved at the Library of Congress.[4]

References

  1. ↑ The AFI Catalog of Feature Films 1893-1993: Chances, afi.com; accessed November 15, 2022.
  2. ↑ Bawden, James; Miller, Ron (March 4, 2016). Conversations with Classic Film Stars: Interviews from Hollywood's Golden Era. University Press of Kentucky. p. 98. ISBN 9780813167121.
  3. ↑ Hall, Mordaunt (June 12, 1931). "The Screen". The New York Times. p. 27.
  4. ↑ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress by The American Film Institute (1978), p. 28
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.