Catherine
Portrait by Anthonis Mor, 1552
Queen consort of Portugal
Tenure10 February 1525 – 11 June 1557
Queen regent of Portugal
Regency11 June 1557 – 12 February 1562
MonarchSebastian
Born14 January 1507
Torquemada, Crown of Castile
Died12 February 1578 (aged 71)
Ribeira Palace, Lisbon, Kingdom of Portugal
Burial
Spouse
(m. 1525; died 1557)
Issue
Detail
HouseHabsburg
FatherPhilip I of Castile
MotherJoanna I of Castile
SignatureCatherine's signature

Catherine of Austria (Portuguese: Catarina; 14 January 1507 – 12 February 1578) was Queen of Portugal as wife of King John III, and regent during the minority of her grandson, King Sebastian, from 1557 until 1562.

Early life

Altarpiece by Cristóvão Lopes in the Convent of Madre de Deus in Lisbon depicting Catherine of Austria with her namesake, St. Catherine of Alexandria. Currently on display in the National Museum of Ancient Art in Lisbon.

An Infanta of Castile and Archduchess of Austria, Catherine was the posthumous daughter of King Philip I and Queen Joanna of Castile.[1] Catherine was born in Torquemada and named in honor of her maternal aunt, Catherine of Aragon. She was kept by her mentally unstable mother's side.

All of her five older siblings, except Ferdinand, were born in the Habsburg Netherlands and had been put into the care of their aunt Margaret of Austria, but Joanna kept hold of young Catherine. Catherine actually stayed with her mother during imprisonment at Tordesillas during her grandfather Ferdinand II of Aragon's time as regent and her elder brother Charles as co-king. When the time came for her to marry, Catherine was released from the custody that her mother was to endure until her death.

Queen

On 10 February 1525, at the age of 18, Catherine married her first cousin, King John III of Portugal, she was married off to him by her mother Joanna I of Castile. They had nine children, but only two survived early childhood.

Catherine was very concerned about the education of her family, accumulating a substantial library and establishing a kind of salon in the court.[2] She brought a number of women scholars into her household, including the humanists Joana Vaz and Públia Hortênsia de Castro, and the poet Luisa Sigea de Velasco.[2][3] Vaz was responsible for tutoring Catherine's daughter, Princess Maria, as well as Catherine's niece, also called Maria, and a scholar in her own right.[2][4]

After the death of her husband in 1557, she was challenged by her daughter-in-law and niece Joanna of Austria, over the role of regent for her grandchild, the infant King Sebastian. Mediation by Charles V resolved the issue in favour of his sister Catherine over his daughter Joan, who was needed in Spain in the absence of Philip II.

She then served as the regent of Portugal from 1557 until 1562. In 1562, she turned over the regency to Henry of Portugal.

Collector

Catherine had one of the earliest and finest Chinese porcelain collections in Europe due to her position as Queen of Portugal. "She acquired quantities of porcelain and exotica from Asia, which arrived regularly in Lisbon for the decoration of the Lisbon royal palace as well as for her personal use, and which served as emblems of her power. Her collection became the first kunstkammer on the Iberian Peninsula."[5] She was following a tradition established earlier by the Portuguese King Manuel I of Portugal who had purchased porcelain for his wife, Maria of Castile (1482-1517), who was Catherine's aunt. Between 1511 and 1514, the 'Treasurer of the Spices' in Lisbon "registered a total of 692 pieces of porcelain and other exotic goods" bought on his behalf for Maria of Castile, who was then King Manuel's second wife.[6] Amongst other 'exotica' in Catherine's collection were fossilised sharks' teeth, a snake's head encased in gold, heart-shaped jasper stones to stop bleeding, a coral branch used as a protector against evil spirits, bezoar stones, a unicorn's horn (a narwhal tusk) and piles of loose gems and stones such as rubies, emeralds, and diamonds.[7]

Issue

NameBirthDeathNotes
With John III, King of Portugal (married 10 February 1525)
Prince Afonso24 February 152612 April 1526Prince of Portugal (1526).
Princess Maria Manuela15 October 152712 July 1545Princess of Portugal (1527–1531). First wife of King Philip II of Spain. She had one child, Don Carlos, and died four days after his birth.
Infanta Isabel28 April 152922 May 1530 
Infanta Beatriz15 February 153016 March 1530 
Prince Manuel1 November 153114 April 1537Prince of Portugal (1531–1537). Declared heir in 1531.
Prince Philip25 March 153329 April 1539Prince of Portugal (1537–1539). Declared heir in 1537.
Infante Denis6 April 15351 January 1537 
Prince João Manuel3 June 15372 January 1554Prince of Portugal (1539–1554). Declared heir in 1539. Married Joan of Spain.
Their son Sebastian became king.
Infante Antonio9 March 153920 January 1540 

Catherine has no descendants today, as both her grandchildren died childless. Her line of descent became extinct within six months of her death, as the only descendant of hers that survived her, King Sebastian of Portugal, died in August 1578.

Catherine of Austria figures in José Saramago's 2008 novel The Elephant's Journey. She also figures in Laurent Binet's 2019 novel Civilizations.

She was also featured in Kei Ohkubo's manga Arte, under the alias Irene at first; later, she revealed herself as Catalina, daughter to Juana of Castile. The timing was unspecified, but this fictitious arrival of Catalina at Florence could be some time between her release from custody and before her marriage; during her inner monologue, her brother, who had ordered a cardinal that was accommodating Catalina's trip to watch over her movements, was shown wearing a crown.

Ancestry

Sources

  1. Jordan, Annemarie (1994). The Development of Catherine of Austria's Collection in the Queen's Household: Its Character and Cost. Providence, R. I.: Brown University. p. 700.
  2. 1 2 3 Walsby, Malcolm; Constantinidou, Natasha (2013). Documenting the Early Modern Book World: Inventories and Catalogues in Manuscript and Print. Brill. pp. 101–103. ISBN 9789004258907.
  3. Wyles, Rosie; Hall, Edith (2016). Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly. Oxford University Press. pp. 58–59. ISBN 9780191038297.
  4. Boxer, Charles Ralph (1981). João de Barros: Portuguese Humanist and Historian of Asia. Concept Publishing Company. pp. 17–18.
  5. Teresa Canepa, "The Iberian royal courts of Lisbon and Madrid, and their role in spreading a taste for Chinese porcelain in 16th century Europe" in Chinese and Japanese Porcelain for the Dutch Golden Age, Jan van Campen and Titus Eliens, ads. Amsterdam: Wanders Uitgevers,, n.d., p. 18
  6. Teresa Canepa, "The Iberian royal courts of Lisbon and Madrid, and their role in spreading a taste for Chinese porcelain in 16th-century Europe", Ibid, p. 17
  7. Annemarie Jordan Gshwend, "In the Tradition of Princely Collections: Curiosities and Exotica in the Kunstkammer of Catherine of Austria," in Bulletin of the Society for Renaissance Studies, Volume XIII, Number 1 (October 1995), p. 142
  8. Chisholm, Hugh, ed. (1911). "Frederick III., Roman Emperor" . Encyclopædia Britannica. Vol. 11 (11th ed.). Cambridge University Press.
  9. 1 2 Holland, Arthur William (1911). "Maximilian I. (emperor)" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 17 (11th ed.). Cambridge University Press.
  10. Urban, William (2003). Tannenberg and After. Chicago: Lithuanian Research and Studies Center. p. 191. ISBN 0-929700-25-2.
  11. 1 2 Wurzbach, Constantin von, ed. (1861). "Habsburg, Philipp I. der Schöne von Oesterreich" . Biographisches Lexikon des Kaiserthums Oesterreich [Biographical Encyclopedia of the Austrian Empire] (in German). Vol. 7. p. 112 via Wikisource.
  12. 1 2 Stephens, Henry Morse (1903). The story of Portugal. G.P. Putnam's Sons. p. 139. ISBN 9780722224731. Retrieved 11 July 2018.
  13. 1 2 3 4 Poupardin, René (1911). "Charles, called The Bold, duke of Burgundy" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge University Press.
  14. 1 2 Kiening, Christian (1994). "Rhétorique de la perte. L'exemple de la mort d'Isabelle de Bourbon (1465)". Médiévales (in French). 13 (27): 15–24. doi:10.3406/medi.1994.1307.
  15. 1 2 Chisholm, Hugh, ed. (1911). "John II of Aragon" . Encyclopædia Britannica. Vol. 15 (11th ed.). Cambridge University Press.
  16. 1 2 Chisholm, Hugh, ed. (1911). "Ferdinand V. of Castile and Leon and II. of Aragon" . Encyclopædia Britannica. Vol. 10 (11th ed.). Cambridge University Press.
  17. 1 2 Chisholm, Hugh, ed. (1911). "Joanna" . Encyclopædia Britannica. Vol. 15 (11th ed.). Cambridge University Press.
  18. 1 2 Ortega Gato, Esteban (1999). "Los Enríquez, Almirantes de Castilla" (PDF). Publicaciones de la Institución "Tello Téllez de Meneses" (in Spanish). 70: 42. ISSN 0210-7317.
  19. 1 2 Chisholm, Hugh, ed. (1911). "John II. of Castile" . Encyclopædia Britannica. Vol. 15 (11th ed.). Cambridge University Press.
  20. 1 2 Chisholm, Hugh, ed. (1911). "Isabella of Castile" . Encyclopædia Britannica. Vol. 14 (11th ed.). Cambridge University Press.
  21. 1 2 Downey, Kirstin (November 2015). Isabella: The Warrior Queen. Knopf Doubleday Publishing Group. p. 28. ISBN 9780307742162.
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