Carry On Doctor
Original UK quad poster by Renato Fratini
Directed byGerald Thomas
Written byTalbot Rothwell
Produced byPeter Rogers
StarringFrankie Howerd
Sid James
Kenneth Williams
Charles Hawtrey
Jim Dale
Barbara Windsor
Hattie Jacques
Joan Sims
Anita Harris
Bernard Bresslaw
CinematographyAlan Hume
Edited byAlfred Roome
Music byEric Rogers
Distributed byThe Rank Organisation (UK)
Release date
21 November 1967
Running time
94 minutes[1][2][3]
CountryUnited Kingdom
LanguageEnglish
Budget£214,000

Carry On Doctor is a 1967 British comedy film, the 15th in the series of 31 Carry On films (1958–1992). It is the second in the series to have a medical theme. Frankie Howerd makes the first of his two appearances in the film series and stars alongside regulars Sid James, Kenneth Williams, Jim Dale, Charles Hawtrey, Joan Sims, Peter Butterworth, and Bernard Bresslaw. Hattie Jacques returns for the first time since Carry On Cabby four years earlier, while Barbara Windsor returns after her debut in Carry On Spying three years earlier. Carry On Doctor marks Anita Harris's second and final appearance in the series. The film was followed by Carry On Up the Khyber 1968.

Plot

Charlatan faith healer Francis Bigger, who convinces attendees, with the help of his assistant Chloe Gibson, that "mind over matter" is more effective than medical treatment, suffers an accident during one of his lectures. Admitted to the local hospital, he quickly demands a private room after encountering his ward's eccentric patients: bedridden layabout Charlie Roper, who fakes symptoms to stay in hospital; Ken Biddle who, while recovering from an operation, makes frequent trips to the ladies' ward to flirt with his love interest, Mavis Winkle; and Mr Barron, whose mental health has declined following news his wife is due to give birth to their first child, leaving him suffering sympathy pains. During Bigger's stay in hospital, he meets the clumsy yet charming Dr. Jim Kilmore, who is popular with the patients and loved from afar by the beautiful Nurse Clarke, who subsequently causes him trouble by accident while being checked over. The day after his admission, Bigger meets Dr. Kenneth Tinkle, Kilmore's superior, who is detested by the patients as much as is the battleaxe Matron, who harbors an unrequited love for Tinkle.

Shortly after Bigger's arrival, the hospital receives a novice nurse, Sandra May, who reveals to Clarke that she intends to meet Tinkle to repay him for saving her life - although in reality, she was merely given treatment for tonsillitis. After completing a shift on the wards, May heads for Tinkle's room to profess her love for him, violating hospital rules that female staff are not permitted in the male quarters. However, Tinkle cruelly rebuffs her affection, only to find himself caught in an awkward situation by Kilmore and Matron. Fearing for his position, after the departure of May and Kilmore, Tinkle contrives with Lavinna to cover up the truth. An opportunity soon arises for Tinkle to be rid of Kilmore. The young doctor spots May going onto the roof of the nurse's home and believes she is going to commit suicide after her encounter with Tinkle, unaware she intends to sunbathe. In trying to rescue her, Kilmore creates an unfortunate scene that leaves him subject to claims of sexual deviancy.

Summoned to a hearing with the hospital governor, Kilmore attempts to reveal the truth, but Tinkle and Matron deny the accusation, revealing that May has since been made to leave. Nurse Clarke knows what really happened on the roof. With his reputation in ruins, Kilmore decides to resign, prompting Clarke to tell the male patients what she knows. Roper, disgusted with what was done to Kilmore, arranges for the whole ward to seek revenge on Tinkle and Matron, with Biddle asking Mavis for the help of the women patients. Conducting a nocturnal mutiny, the patients swiftly subdue Sister Hoggett, preventing her from alerting the orderlies. The group bring along Bigger who, after mishearing Tinkle's conversation with his assistant, believes he is dying. This has prompted him to marry Chloe. The gang capture Tinkle and Matron. While the women force a confession from Matron by making her endure a blanket bath, the men force Tinkle to confess after threatening him with an enema, after several other methods fail to work.

The next day, Dr Kilmore is appointed the new hospital registrar while Tinkle is reduced to a simple doctor. Mr Barron, now fully recovered and cured, leaves with his wife and their new baby. Meanwhile, Bigger prepares to leave the hospital with Chloe, but resents the bickering he must endure and the fact that he must give up his work as a faith healer. On the way out, Bigger deliberately falls on the steps and injures his back again. As he is being brought back inside the hospital, he breaks the fourth wall to inform the audience he hopes he will be staying for a long time.

Cast

Crew

  • Screenplay – Talbot Rothwell
  • Music – Eric Rogers
  • Production manager – Jack Swinburne
  • Art director – Cedric Dawe
  • Editor – Alfred Roome
  • Director of photography – Alan Hume
  • Assistant editor – Jack Gardner
  • Continuity – Joy Mercer
  • Assistant director – Terry Clegg
  • Camera operator – Jim Bawden
  • Make-up – Geoffrey Rodway
  • Sound recordists – Dudley Messenger and Ken Barker
  • Hairdressing – Stella Rivers
  • Dubbing editor – David Campling
  • Costume designer – Yvonne Caffin
  • Title sketches – Larry
  • Producer – Peter Rogers
  • Director – Gerald Thomas

Filming and locations

Filming dates: 11 September to 20 October 1967

Interiors:

Exteriors:

  • Maidenhead, where the Town Hall doubled for the hospital
  • Masonic Hall, Uxbridge
  • Westbourne Street, London WC2

Reception

The film was the third biggest general release hit at the British box office in 1968, after The Jungle Book and Barbarella.[4] According to Kinematograph Weekly, there were four British films in the top ten general releases of 1968: Up the Junction, Poor Cow, Here We Go Round the Mulberry Bush and Carry on Doctor.[5]

References

  1. "Carry On Doctor". British Board of Film Classification. Retrieved 19 October 2021.
  2. Ross 1998, p. 72
  3. Rigelsford 1996, p. 161
  4. "John Wayne-money-spinner", The Guardian, 31 December 1968: p. 3
  5. Kinematograph Weekly, 14 December 1968, p. 6

Bibliography

  • Bright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0-563-55183-6.
  • Davidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1-908630-01-8.
  • Eastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0-7153-7403-0.
  • Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0-600-55819-4.
  • Hudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1-906358-15-0.
  • Rigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.
  • Ross, Robert (1998) [1996]. The Carry On Companion. London: Batsford. ISBN 0-7134-8439-X.
  • Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition, 2007: Reynolds & Hearn Books)
  • Sheridan, Simon (2011). Keeping the British End Up – Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0-85768-279-6.
  • Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0-09-949007-4.
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