| Border Radio | |
|---|---|
.jpg.webp) The cover of the Criterion Collection edition. | |
| Directed by | Allison Anders Dean Lent Kurt Voss |
| Written by | Allison Anders Dean Lent Kurt Voss |
| Produced by | Marcus DeLeon |
| Starring | Chris D. John Doe Chris Shearer Luanna Anders |
| Distributed by | International Film Marketing |
Release date |
|
Running time | 87 min. |
| Country | United States |
| Language | English |
Border Radio is a 1987 independent film directed by Allison Anders, Dean Lent and Kurt Voss.[1][2]
Summary
A document of the last days West Coast punk rock,[3] the story follows two musicians and a roadie who haven't been paid rob money from a club and one flees to Mexico leaving his wife and daughter behind.[4]
Production
The trio met while making Wim Wenders' 1984 film Paris, Texas and drafted a number of celebrities like Wenders and Daryl Hannah for financial support. Most of the funding came from character actor (and family friend of Voss) Vic Tayback.[5]
Soundtrack
The film features music from cowpunk bands and artists, including the Flesh Eaters, Green on Red, John Doe, the Divine Horsemen, X, and the Blasters.
Cast
- Chris D. as Jeff Bailey
- Chris Shearer as Chris
- Dave Alvin as Dave
- Devon Anders as Devon
- Luanna Anders as Lu
- Iris Berry as Scenester
- Julie Christensen as Door Girl
- John Doe as Dean
- Eddie Flowers as Thug
- Green on Red as Band in Club
- Texacala Jones as Babysitter
- Chuck Shepard as Expatriate
- Sebastian Sopeland as Thug
- Craig Stark as Thug
- Billy Wisdom & the Hee Shees as Band in Studio[6]
- Alan Corcoran as Car Salesman[7]
- Gert Wossner as Chris's Dad[8]
See also
References
- ↑ MUBI
- ↑ Criterion Channel
- ↑ BAM
- ↑ Mondo Culto: Border Radio (1987) - MTV
- ↑ Turner Classic Movies
- ↑ Cast page Criterion Collection DVD, 2006
- ↑ Cast page Criterion Collection DVD, 2006
- ↑ Cast page Criterion Collection DVD, 2006
External links
- Border Radio at IMDb
- Border Radio at AllMovie
- Essay on BORDER RADIO at New Texture
- Border Radio: Where Punk Lived an essay by Chris Morris at the Criterion Collection
- Excerpt
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