| Beaufort | |
|---|---|
 | |
| Directed by | Joseph Cedar |
| Written by | Ron Leshem Joseph Cedar |
| Produced by | Moshe Edery |
| Starring | Oshri Cohen Itay Tiran Eli Eltonyo Ohad Knoller Itay Turgeman |
| Cinematography | Ofer Inov |
| Edited by | Zohar M. Sela |
| Music by | Ishai Adar |
| Distributed by | United King Films Kino International |
Release dates |
|
Running time | 125 minutes |
| Country | Israel |
| Language | Hebrew |
Beaufort (Hebrew: בופור Bufor) is a 2007 Israeli war film. The film was directed by Joseph Cedar and was co-written by Cedar and Ron Leshem, based on Leshem's novel of the same name. The film is about an IDF unit stationed at the isolated mountaintop Beaufort post in Southern Lebanon during the South Lebanon conflict, and their commander, Liraz Librati, who was the last commander of the Beaufort castle before the Israeli withdrawal in 2000.
The film takes place in the year 2000, the year of the IDF withdrawal from the Israeli Security Zone in southern Lebanon. It chronicles the daily routine of a group of soldiers positioned at the 12th-century Crusader stronghold of Beaufort Castle, their feelings and their fears, and explores their moral dilemmas in the days preceding the withdrawal and end of the 18-year South Lebanon conflict.
The film's director, himself an IDF veteran who was stationed in Lebanon during the first Lebanon war,[1] uses the stone walls of Beaufort castle as a symbol of the futility and endlessness of war. The film was shot during the spring of 2006 at Nimrod Fortress, a similar mountaintop fort in the Golan Heights. Cedar said he was influenced by the film Das Boot, and the World War I "bunker films", when creating the tunnels and mazes of the Beaufort.[2] He also said that Paths of Glory was a heavy influence, specifically on the bomb-disarming mission scene.[1] Useful historical information for understanding the movie can be found in the article on the original capture of Beaufort in 1982 by the Israeli army.
Filming was completed in June, just a month before the second war in Lebanon broke out.
Reception
Critical
Beaufort was generally well received by critics. As of 21 October 2020, the review aggregator Rotten Tomatoes reported that 85% of critics gave the film positive reviews, based on 53 reviews, and an average rating of 7.03/10. The website's critical consensus states, "Beaufort is a deeply observant and meditative war film, masterfully rendered by director Joseph Cedar".[3]
Lisa Schwarzbaum of Entertainment Weekly gave it an A, calling it "a movie of tremendous power—nerve-racking, astute, and neutral enough to apply to all soldiers, in all wars, everywhere".[4] A. O. Scott of The New York Times wrote: "Even if it does not entirely rise above cliché, 'Beaufort' has an earnest, sober intelligence that makes it hard to shake. It suggests that, for those who fight, the futility of war is inseparable from its nobility."[5] The film's concept and look were compared to those of Letters from Iwo Jima.[6][7]
The film gained mostly very positive reviews in Israel; several reviewers called it one of the best Israeli films ever.[8][9] Hannah Brown of The Jerusalem Post called it the first great Israeli war film.[10] The less positive reviews claimed that the film lacks a direct confrontation with its issues or criticism.[11][12]
Effi Eitam, an Israeli war hero who was an Israel Defense Forces high commander in Lebanon (he was replaced by Moshe Kaplinsky several months before the withdrawal), said that the film "successfully depicts, in great detail, the military experience".[13] Eitam also criticized the creators for showing only the last days of the fighting and not telling the full story of the 18 years of Israeli fighting in Lebanon ("Whoever watches this movie is likely to think that this entire war was just a matter of inane duck shooting... That’s not how we operated").[13]
Linda Barnard of the Toronto Star notes that "Liraz can't protect his men and is visibly diminished each time they face danger and death." As well, he "faces his last order [to destroy the fort] with resolve mixed with bitterness and anger over the useless sacrifice of those who died to defend what the army is about to wipe out".[3] Andrea Gronvall of the Chicago Reader calls it a "blistering antiwar film"; she states that "the absurdity and terrors of their situation are compounded when the squad receives orders to evacuate and blow up its bunker—something the enemy has been trying to do all along."[14]
Jonathan Richards notes that the film has a "slow and contemplative [approach], punctuated by shocking bursts of explosive violence". He states that "at a little over two hours, [the film] drags at times with its static, claustrophobic setting and thin plot," but nevertheless states that "it makes an urgent case for the futility of most wars, which serve immediate political goals that afterward don’t seem terribly important." He states that "at its core[,] Beaufort is about the heroism of withdrawal, the guts it takes to reject the militaristic mindset that believes any retreat is a weakness."[15]
Commercial
Beaufort is one of the most successful Israeli films of the 2000s. It made more than US$500,000 in the first 3 weeks of its release in the Israeli market, a substantial amount for a domestic Israeli film. Since its release, it was viewed by over 300,000 viewers in Israel.
Awards and nominations
Cedar won the Silver Bear in the Berlin International Film Festival for directing Beaufort, and the film was also nominated for the Academy Award for Best Foreign Language Film,[16] the first such nomination for an Israeli film since Beyond the Walls (1984) and the seventh overall. In Israel it won 4 Ophir Awards—Best Cinematography, Best Film Editing, Best Artistic Design and Best Soundtrack. It was also nominated for Best Picture, although the award went to The Band's Visit, making Beaufort the first film directed by Cedar to not win this award. The Band's Visit's status as a foreign language film in the Academy Awards was rejected because it contains over 50% dialogue in English, which caused the runner-up Beaufort to become Israel's submission instead.
Controversies
The casting has raised serious public criticism in Israel, especially from families of slain soldiers and war veterans, given the fact that some of the actors did not serve in the Israeli army (Army service is compulsory in Israel, although some people are exempt). Cedar commented that the actors had to spend a month at an actual outpost preparing for their roles, and "Israel may be the only place where actors are expected to have actual combat experience when playing soldiers in a movie."[1]
It was rumored that it was the filmmakers of Beaufort who brought to the Academy's attention the ineligibility, on language grounds, of The Band's Visit. Beaufort's makers denied this rumor.[1]
Cast
| Actor | Role |
|---|---|
| Oshri Cohen | Lieutenant Liraz "Erez" Librati, bunker commander |
| Eli Eltonyo | Oshri, company first sergeant |
| Itay Turgeman | Sergeant Tomer Zitlaui |
| Ohad Knoller | Lieutenant Ziv Faran, bomb disposal officer |
| Daniel Bruk | Pavel |
| Ygal Reznik | Robbie |
| Itay Szor | Emilio |
| Itay Tiran | Idan Koris, emergency medical technician |
| Arthur Faradjev | Yonatan Shpitzer |
| Gal Friedman | Belis |
| Zohar Strauss | Rossman |
| Alon Aboutboul | Brigadier-General Kimchi, division commander |
| Danni Zahavi | Captain Meir, engineer officer |
| Nevo Kimchi | Avishai |
| Hannan Yishai | Nadav |
| Gideon Levy | Himself |
See also
References
- 1 2 3 4 Welkos, Robert W. (16 January 2008). "Joseph Cedar is in the Oscar running". Los Angeles Times. Archived from the original on 20 January 2008. Retrieved 27 January 2008.
- ↑ "Interview with Joseph Cedar" (in Hebrew). NRG (Maariv). Archived from the original on 25 May 2007. Retrieved 27 January 2008.
- 1 2 "Beaufort". Rotten Tomatoes. Retrieved 23 January 2008.
- ↑ Lisa Schwarzbaum (16 January 2008). "Beaufort". Entertainment Weekly. Archived from the original on 29 January 2008. Retrieved 28 January 2008.
- ↑ Scott, A. O. (18 January 2008). "Israeli Soldiers Man a Fortress of Futility". The New York Times. Retrieved 23 January 2008.
- ↑ David Edelstein. "Beaufort". New York. Archived from the original on 21 January 2008. Retrieved 23 January 2008.
- ↑ Nirit Anderman (10 July 2007). "Israeli cinema is into something good". Haaretz. Retrieved 26 August 2014.
- ↑ Yair Raveh (7 March 2007). מחילות [Forgiveness]. Ynet (in Hebrew). Retrieved 27 January 2008.
- ↑ Rotem Danon (8 March 2007). יש מוצב לאוסקר [There is position for an Oscar] (in Hebrew). Walla!. Retrieved 27 January 2008.
- ↑ "Cinefile: Will 'Beaufort' be left standing?". The Jerusalem Post. Retrieved 27 January 2008.
- ↑ Uri Klein (7 March 2007). היו להם מכונות ירייה [They had machine guns]. Haaretz (in Hebrew). Retrieved 26 August 2014.
- ↑ Shmulik Duvduvani (8 March 2007). שובו של יפה הבלורית [Return of the beautiful puff]. Ynet (in Hebrew). Archived from the original on 13 February 2008. Retrieved 27 January 2008.
- 1 2 "Shooting ducks?". Ynet. Archived from the original on 21 June 2007. Retrieved 28 January 2008.
- ↑ Andrea Gronvall. "Beaufort". Chicago Reader. Retrieved 26 August 2014.
- ↑ Jonathan Richards (2008). "Beaufort". Filmfreak. Archived from the original on 3 September 2014. Retrieved 26 August 2014.
- ↑ "80th Academy Awards Nominations Announced" (Press release). Academy of Motion Picture Arts and Sciences. 22 January 2008. Archived from the original on 27 January 2008. Retrieved 22 January 2008.