Portrait of Chaudet by his wife Jeanne-Elisabeth Chaudet, c. 1802

Antoine-Denis Chaudet (3 March 1763 19 April 1810) was a French sculptor who worked in the neoclassical style. He was born and died in Paris.[1]

Life and work

He began his artistic training as a student of Jean-Baptiste Stouf at the Royal Academy of Painting and Sculpture. In 1784 his bas-relief, Joseph Sold into Slavery by His Brothers, was awarded the Prix-de-Rome. This enabled him to study at the French Academy in Rome, where he spent four years studying ancient sculpture.

On his return to France in 1789, he was admitted to the Royal Academy of Painting and Sculpture. In 1801 he took part in illustrating an edition of the collected works of Jean Racine, published by Firmin Didot. Most of these were Biblical scenes. Around that same time, he married one of his students, Jeanne-Elisabeth Gabiou. He also collaborated with Pierre-François-Léonard Fontaine and Charles Percier on architectural projects.

In 1805, he became a member of the Institute of France. In February 1810, he took the post of Professor-Rector at the École des Beaux-Arts, replacing Louis-Jean-François Lagrenée, who had died several years before. He died himself, only two months later.[2] He was interred at the Montparnasse Cemetery. The Louvre holds collections of his sketches and manuscript notes.

In 1812, Napoleon transported Chaudet's marble statue of him to Moscow, to install it in a prominent place there. It is currently on display at the Borodino Panorama Museum.[3]

Notable works

References

  1. "Antoine-Denis Chaudet (1763-1810)". Bibliothèque nationale de France. Retrieved 2022-09-24.
  2. Chappey F., "Les Professeurs de l'École des Beaux-Arts (1794—1873)", In: Romantisme, № 93, 1996, pgs.95—101
  3. Vlasov, Viktor Georgievich and Shode, Antoine-Denis, Styles in Art, Vol.3, "Dictionary of names", 1997, pg.529 ISBN 5-88737-010-6

Further reading

  • Isabelle Lemaistre, et al., Skulptur aus dem Louvre. Sculptures françaises néo-classiques. 1760-1830, (exhibition catalog), Paris, Musée du Louvre, 1990, p. 313
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